Showing posts with label M. C. Chambers. Show all posts
Showing posts with label M. C. Chambers. Show all posts

Wednesday, June 1, 2022

Try Something New

By Jan S. Gephardt

When faced with the fact that an old tactic doesn’t work, it’s time to try something new. That was the choice that confronted me when I started this “sf convention season.” My son Tyrell E. Gephardt and I typically attend 6-8 sf conventions in a normal year.

Because I don’t have a lot of different books available to sell in paperback format, I haven’t seriously considered setting up at a dealers table. I also don’t “do mornings” gracefully, because of my habitual “Graveyard Shift” work schedule (fewer interruptions then). Before the Pandemic, I normally could find a general bookseller with a table full of traditionally- and Indie-published authors’ work. They often were willing to set up an “on-commission” deal.

But that was then. Now it seems that the only people selling books in dealers rooms are Indies and author groups selling their own work. A changing market landscape meant it was time to try something new.


Tables of displays from artists, crafters, Indie authors, and gaming suppliers in the DemiCon33 Dealers Room.
The Dealers Room at DemiCon 33 offered a good overview of the kind of tables you’ll find in contemporary Dealers Rooms. (Photo by Tyrell E. Gephardt).

 

A Pair of Friends in Need

Especially since ConQuesT is my “home con,” I was able to ask around and soon found a friend, M. C. Chambers, who was planning to have a dealers table there. She and another friend, Karin Rita Gastreich, had already agreed to share a couple of tables. When I asked, they graciously invited me to join them. Time to try something new!

You already met my table-mates if you read last week’s blog post, but a brief re-cap is in order in case you didn’t.

M. C. Chambers

I first met Mary through KaCSFFS, the Kansas City Science Fiction and Fantasy Society. She just looked like an interesting person from the get-go, and we hit it off right away. We have many things in common (including our birthday). I invited her to join my then-current writers’ group, and we’ve been friends ever since. Her work includes a bunch of wonderful short stories, several of which have won awards, and the fantasy novel Shapers’ Veil. She’s also the mother of five boys (“Mother of Heroes”), a flutist, and a variable print programmer. She sold copies of several anthologies that contain her stories, as well as the novel.

Karin Rita Gastreich

Dr. Karin Gastreich, ecologist and author, serves as Chair of the School of Natural and Applied Sciences at Avila University in south Kansas City. But I met her in a different place entirely: at another writers’ group. I’ve recently had the privilege of beta-reading her latest (really wonderful) novel, which I don’t believe is available yet. She’s also written multiple short stories and won several awards. But she’s best known for her woman-centered fantasy Silver Web Trilogy, which she bundled and also sold individually at the table.


M. C. Chambers’ Author photo and the cover for her novel “Shapers’ Veil,” with the three-cover collection of the “Silver Web Trilogy” and Karin Rita Gastreich’s Author photo.
My table-mates have written some cool stuff! (See credits below).

 

Welcome to the Itinerant Village!

I’ve previously remarked that the “sf con circuit” is like a small, traveling community. This weekend I discovered that folks in the dealers room are even more of a close-knit “village.” When I showed up at a table for the first time, a number of longtime friends made a point of welcoming me to a whole new level of the community.

Two of the longtime friends who deserve special notice for a warm welcome are author Dennis Young and Zac Zacarola, whose “Wall of Doom” has been a popular fixture of Midwestern dealers rooms for years.

Dennis Young

I met the prolific writer Dennis Young (a Kansas-City-area “local”) at ConQuesT a few years ago. The first time I remember talking with him about writing was when he was a fellow panelist on one of the first writing panels I ever dared to join. Known for decades in fandom as an artist, I had not yet published What’s Bred in the Bone. It still felt audacious to call myself a writer. A teacher and mentor by nature, Dennis warmly encouraged me. To this day, he still does. Most recently he’s offered encouragement to become a dealers room “regular.”

As I recall, when we were on that early panel he was about 3 books into his fantasy Ardwellian Chronicles Series (it now numbers six books and has a new set of covers). Since then, he’s branched out in many other directions and offers collections set in several universes. They include his Mercenary Trilogy, the Bloodlines duo, and the three-book Earthfleet Saga. With an ever fertile imagination, he also has a whole array of other new ideas in varied stages of progress.


L-R: Dennis Young, and his ConQuesT 53 Table display.
Dennis Young knows how to use his banners for an eye-catching display. (See credits below).

 

Zac Zacarola

I’ve known Zac long enough that this actually is not the first time I’ve written a blog post that includes a feature about him. Trained as an analytical chemist, he’s worked in in Nuclear Power (Commercial & Naval Reactors) since January, 1980. Indeed, he worked at Cooper Nuclear Station in Chemistry for almost 22 years. Since 2008, he has strictly worked in the Environmental Group, with Chemistry. But he’s best known in fandom as the proprietor of Ziggy’s West.

For years his “Wall of Doom,” a stunning array of bladed weapons, has acted as an irresistible magnet for kids of all ages and genders. Ziggy’s also offers an array of sf & f collectible figurines, sculptures, and other cool art objects, ranging from eclectic salt-and-pepper shakers and sword canes to handcrafted leather journals. He also has acted as the agent for the artist Jeliza.


Here’s a typical glimpse of Zac, with his table and his Wall of Doom full of weapons.
The display on the table has changed some since 2017, but Zac and his Wall of Doom look much the same. (See credits below).

 

Try Something New and Meet New Friends!

I had not regularly frequented dealers rooms for a while. My last few conventions, both before the Pandemic and in recent months, have kept me hopping between programming items. About the time I’d get a break, the Art Show and Dealers Room were either about to close or had closed. If either was still open, I usually opted for the Art Show, to see if I or friends had gotten any bids.

Thus, when I decided to try something new by spending more time in the Dealers Room, it stands to reason I’d meet new people. The first table I really paid attention to, after those I already knew, was the one directly across from me. One of the banners over there featured a striking image of what looked like a Roman centurion wielding a bloody sword and carrying . . . a baby? Yes. Definitely a baby. It's the cover of Richard E. Friesen’s book An Uncivil War.

But more than that: the artwork has a very distinctive signature-style that I recognized immediately as that of Chaz Kemp. He’s the Colorado artist who created wonderful covers for my sister G. S. Norwood’s two short urban fantasy novelettes, Deep Ellum Pawn and Deep Ellum Blues. He also has created cover paintings for the Weird Sisters Publishing reissue of my late brother-in-law Warren C. Norwood’s Windhover Tetralogy, which we'll unveil this summer. As I write this, he’s also helping me with the cover of a Newsletter-exclusive short story, Anywhere but Sixth Level, about my characters Pam and Balchu (only available to Newsletter subscribers).


This was my view for a chunk of the weekend: my neighbors’ tables and display.
Richard E. Friesen takes a turn at his table, beside the banner that first caught my eye, while Peter Sartucci takes a break. (Photo by Jan S. Gephardt).

 

Meet Peter and Richard

Richard E. Friesen’s banner and cover art may have been the thing that drew me across the aisle, but the guy manning that table at the time was his friend Peter Sartucci, whose covers were done by a different, but also very accomplished artist, Claire Peacey.

We struck up a conversation. Both Peter and Richard are from Colorado. Like Mary, Karin, and me, they had decided to team up and share a dealers table. If you’d like to try something new, you might want to check out some of their work. Here’s Peter’s Amazon author page, and here’s Richard’s.

After the Dealers Room officially closed Friday night, the Art Show stayed open a little longer so dealers could get a chance to see it (Thank you, Mikah McCullough!). Peter and I toured the show together. I was able to show him my paper sculpture and tell him a little about the background of nearly every artist in the show (most of whom are my friends). Check back in next week for my Art Show post!


L-R: Karin R. Gastreich at her end of our table; M. C. Chambers and Jan S. Gephardt, also at our table.
We weren’t far from the Art Show – you can see it behind Karin (L). At another time, M. C. Chambers and I posed for a photo. (See credits below).


Did it Pay to Try Something New?

Since this was my first dealers table, I wasn’t sure what to expect. Did I sell well? Depends on how you define “well.” I know I sold almost all the books I had, and that’s a heck of a lot better than I normally do selling books out of my rolling luggage “traveling show” after a reading or panel.

Likewise, while Karin and Mary weren’t so rushed they couldn’t keep up, both sold many books, and Mary sold out of one title. She said she’d never sold this well as a “solo” act. We hypothesized that with three of us we had more variety to offer, and perhaps that appealed to people.

We also probably benefitted from the fact that people have been on lockdown for the past two-and-counting years. They’ve been unable to go to sf cons all that time, unable to buy art or books or anything from our speculative genres in person – so some of it might be “making up for lost time.” But whatever caused us to do well, I’m glad I decided to try something new!

IMAGES

I (Jan S. Gephardt) took all of the photos in this post that aren’t specifically credited. I also created all montages. Ty took the wide shot of the DemiCon 33 Dealers Room. Many thanks to M.C. Chambers and Karin Rita Gastreich for their author photos, as well as Amazon for the photos of Shapers’ Veil and the Silver Web Trilogy.

Dennis Young publicly posted his author photo and the photo of his ConQuesT 53 table on Facebook. Zac Zacarola posted the photo of himself with his Ziggy’s West table (including the Wall of Doom) as they appeared at TopCon in 2017. And Deb Branson, my intrepid proofreader, took the photo of Mary and me at our table.


Wednesday, May 25, 2022

Pack Up and Do It Again

 By Jan S. Gephardt

It’s time to pack up and do it again. When we have two sf conventions in one month, it’s something of an endurance run. My son Tyrell Gephardt and I just start getting sorted out and rested up (in my case this month also healed up), and it’s time to do it again.

As I noted last week, Demicon 33 was a good convention for me – but it also took a toll. Now it’s time to prepare for ConQuesT 53, my home “con.” I would hate to miss it, even though they expect it to be a low-turnout year.

Attending ConQuesT means I need to pack up and do it again, after it feels as if I just got home. But there’s a new wrinkle this time around. I’m doing the usual things – art show and some programming. But I’m also launching into (for me) an uncharted new adventure: a dealer’s table.


ConQuesT 53, Memorial Day Weekend 2022, Sheraton Crown Center, Kansas City, MO.
(Header Image courtesy of ConQuesT).

 

A Dealers Table? ME?

Yes, I recognize that many Indie authors make much or most of their income from dealers’ tables at conventions. It’s a marketing choice that can, and sometimes does, keep the con-going trip in profit-making territory. I respect that. But personally, I’ve always had several problems with this approach.

Most dealers rooms open by 9 or 10 a.m. But my circadian cycle is firmly skewed to the “Graveyard Shift.” Wrenching myself out of bed to be on time to open would mess up my sleep cycle and leave me a “sleep zombie” for at least a week afterward. I know this because I’ve tried it. It's not pretty.

If you’re running a table, it’s important to always be there (as much as possible!) while the dealers room is open. This means if you’re going to connect with colleagues, network, be on panels, or visit other people’s panels or readings, you either do it at your table, arrange for someone to cover for you, do it after the dealers room closes, or you don’t do it. Your table is both your base, and your anchor.

And there is a lot of stuff to haul. I’m an older lady who walks with a cane for stability. There was a day when I could bend, lift, and haul stuff pretty well – but that was several decades ago. Nowadays, I have to be strategic about how I haul boxes of books. Hand trucks and my athletic son are my friends, but I can’t always assume they’ll be available.


Tables of displays from artists, crafters, Indie authors, and gaming suppliers in the DemiCon33 Dealers Room.
The Dealers Room at DemiCon 33. (Photo by Tyrell E. Gephardt).


A Little Help From Friends

When I first started bringing my book (singular) to sf cons back in 2019, I often could find a general bookseller in the dealers room who’d work out a consignment deal with me. But since the pandemic’s ebb (let’s hope it’s actually waning!), it’s hard to find general booksellers running dealers’ tables at sf cons.

Ty observed at DemiCon 33 that most of the folks in the Dealers Room were Indie authors selling their own books, artists, jewelers, artisans, or other craftsfolk with a specific line of products, or stores selling gaming gear. That was my observation at Archon 44 last fall, too.

But this is my “home convention,” and I know a lot of other writers in the area who really don’t have enough books (and other resources) to justify having a whole dealer’s table of their own. Three of us have banded together and decided to see if teamwork and our collected works can make a table worth the effort. So, we’ll give it a try, and see how it works. One of us has already said she can cover mornings (blessings upon her!), so at least that worry is alleviated.

But when I pack up and do it again this time, I’ll have considerably more to pack than usual.


A box full of books and other Dealers Room supplies, with covers for Jan’s three books, “The Other Side of Fear,” “What’s Bred in the Bone,” and “A Bone to Pick.”
I'm packing up my dealer's table supplies. (See credits below).

 

Meet my Table-Mates

For this dealer’s table adventure, I’ve paired up with a couple of wonderful writers I met in local fandom and critique groups. From working with them in writers’ groups, I know they write good stuff. I’m proud to be associated with them, even if I am the “odd science fiction writer” in the mix.

M. C. Chambers

I first met Mary through KaCSFFS, the Kansas City Science Fiction and Fantasy Society, about which I’ve blogged in the past. She just looked like an interesting person from the get-go. We talked and discovered we have many things in common (including our birthday). I invited her to join my then-current writers’ group, and we’ve been friends ever since. Her work includes a bunch of wonderful short stories, several of which have won awards, and the fantasy novel Shapers’ Veil. She’s also the mother of five boys (“Mother of Heroes”), a flutist, and a variable print programmer.

Karin Rita Gastreich

I met Karin in a different writers’ group, and I’ve recently had the privilege of beta-reading her latest (really wonderful) novel, which I don’t believe is available yet. She’s also written multiple short stories and won several awards. But she’s best known as a writer for her woman-centered fantasy Silver Web Trilogy. All this, and writing is not even her “day job.” In the rest of her life, Dr. Karin Gastreich, ecologist and author, serves as Chair of the School of Natural and Applied Sciences at Avila University in south Kansas City.


M. C. Chambers’ Author photo and the cover for her novel “Shapers’ Veil,” with the three-cover collection of the “Silver Web Trilogy” and Karin Rita Gastreich’s Author photo.
My table-mates have written some cool stuff! (See credits below).

 

Pack Up and Do it Again: Art Show

It wouldn’t seem like I really was at a convention if I didn’t have anything at the Art Show. Moreover, ConQuesT historically has an outstanding art show, especially for a convention of its size. I don’t just say that because I was the Art Show Director for three years (a decade ago). People have long come to this show to buy art, and the artwork comes in from all over. It’s now run by the highly competent and awesome Mikah McCullough, who is a way better Art Show Director than I ever was!

I’m bringing essentially the same pieces to ConQuesT that I brought to DemiCon. That’s possible, because the work I sold in Iowa was part of a multiple-original edition. Not all of my paper sculpture artwork consists of multiple-originals, however. Some are one-of-a-kind. And Mikah has arranged for me to glom onto the end of a table for my Ranan mini-maps , so they’ll be displayed to their best advantage.


Jan’s paper sculpture on display at the DemiCon 33 Art Show.
My artwork at DemiCon 33. The display won’t look much different at ConQuesT 53. (photos by the author/artist).

 

Fewer Panels than Usual

I missed a key communication with ConQuesT Programming somewhere along the line, so I’m only on two panels this time. Considering my dealers table commitment, this is probably just as well. But this programming schedule is unusually light for me.

On Friday night, I’ll pair up with my friend Kathy Hinkle for a feature we’ve repeated the last several times we’ve had an in-person ConQuesT: SF & F Name that Tune (or Show). Kathy and I both love the music of science fiction and fantasy media. We’ll draw from our respective deep libraries of music we’ve collected, play selected cuts, and see how quickly our audience can name them. In past years it’s been a lot of fun.

Then on Sunday afternoon (after Art Show check-out, but before Closing Ceremonies), I’ll moderate a panel called Curiouser and Curiouser (on which my table-mate Mary is a panelist), about how protagonists’ curiosities can get them into trouble – and bring readers along for an interesting quest. Much to my disappointment, there are no author readings at ConQuesT 53. This is because when they had them they weren’t well-attended, and they’re restricted in the number of programming rooms available. I understand, but I’m still disappointed.

Time to Pack Up

And now it’s time to end this post and get back to work preparing for ConQuesT. Especially with this one, when I’m getting ready to pack up and do it again, it turns out I have a lot to pack!

IMAGE CREDITS

Many thanks to ConQuesT 53 for their website’s header, and to my son Tyrell Gephardt for the photo of the DemiCon 33 Dealers Room. I took the photos of my dealer’s table preparations and my DemiCon33 Art Show display. I’m grateful to M.C. Chambers and Karin Rita Gastreich for their author photos, and to Amazon for the photos of Shapers’ Veil and the Silver Web Trilogy. Grateful appreciations to all!

Wednesday, June 9, 2021

Virtual ConQuesT 52

 By Jan S. Gephardt

Compared to some authors I’m slow, but Virtual ConQuesT 52 was my first virtual sf convention using interactive video tools.

Throughout the months since March 2020 I’ve periodically participated in Facebook-based Concellation. Last year I pre-recorded myself reading Chapter One of The Other Side of Fear for Virtual DemiCon 31. But this year I was in the final throes of preparing a finished draft of A Bone to Pick, and just didn’t have the psychic energy for Virtual DemiCon 32 (my friends in Des Moines were very gracious and understanding, for which I thank them).



One for the Home Team

Readers who’ve followed this blog/my Artdog Adventures blog for several years may remember that ConQuesT in Kansas City is my “home” convention. I’ve blogged about it many times over the years (follow the links for examples).

ConQuesT didn’t exactly have a convention last year. But they had more time to organize a virtual event this year. For the first time in decades I didn’t participate in the ConQuesT Art Show, but I did agree to participate in panels. So, how did Virtual ConQuesT 52 go?

Well, in some ways it was almost like being on regular panels.

How did they Conduct the Panels at Virtual ConQuesT 52?

We conducted our panels on Zoom. By now I guess everyone who regularly uses a computer for communication has experienced a Zoom meeting. My writers group has stayed in weekly contact all through the pandemic by using Zoom, so I was well familiar with this interface.

A cartoon by Tom Fishburne demonstrates some typical Zoom meeting issues.
We had the occasional frozen screen during Virtual ConQuesT 52, but not often (by permission from Tom Fishburne, The Marketoonist).

I also have been on Discord chats before, but this was my first really positive experience with the program. Previous attempts have been unguided attempts to connect with groups who also didn’t seem to have much clue what they were doing with it. This time around, with people actually interacting, I enjoyed it (more on that in a bit).

Once the live-on-Zoom panels were finished, the concom posted recordings of them on a dedicated Twitch channel. That way if you were a member of the convention you could access the panel any time you wanted during the con. Once I figured out how to get on, it was pretty easy to use.

An Art Panel at Virtual ConQuesT 52

I may not have had artwork in the show, but I did participate in one art-related panel at Virtual ConQuesT 52. I moderated, facilitating a discussion of each artist’s unique approach.

Panelists were our Artist Guest of Honor, Toni Taylor, graphic designer/artist/game creator Harold Sipe, and fellow Kansas City artist Allison Stein. I misunderstood the end-time, so I kinda aced myself out of my own process description (I demonstrated how I created Common Cliff-Dragon—Male).

The ConQuesT panel description for "Behind the Curtain”: The Process Behind the Art read: “Every artist develops their own style, and works with their tools in their own way. In this panel, the moderator will display some of the art by the artists on the panel, and give the artists some space to walk through the process of creating the piece, giving a view “behind the curtain” into their artistic processes.”

Screen-grab from Virtual ConQuesT 52’s Twitch feed.
Here’s a glimpse of how the video for “Behind the Curtain” looked on Twitch. (Image courtesy of ConQuesT 52).


Toni Taylor, Starchild Art

Each of the panelists has a unique take on their approach to their artwork. Taylor described some of the considerations that go into her portraits, including totems, spirit animals, and places that hold special meaning for the subject. See some of them on her website and Facebook page.

Harold Sipe, Small Monsters Games

Sipe gave us a behind-the-scenes look at how he and his wife conceived of their “Takeout” card game, and the process they went through to refine the idea, then design, test, and build it. He also showed us screen-shares of the finished cards, and his website.

Allison Stein, Author, Artist, TV Addict, Geek Princess, and Cat Servant

Stein described the ways she develops her whimsical creations, featuring birds of all types (my particular favorites are her owls), bunnies, octopi, cats, dragons, and more. She described the wide range of media from which she selects tools and add-ons to make each tiny piece unique. Catch glimpses on her website, Fine Art America page, and Etsy store.

My Panels with Writers at Virtual ConQuesT 52

Most of my panels at Virtual ConQuesT 52 involved some aspect of writing. I moderated all but one. Allison Stein, who also is a writer as well as an artist, moderated that one, about writers groups, and she handled it brilliantly. Barbara E. Hill, Lynette M. Burrows, and M. C. Chambers joined us for that one. We discussed several excellent local writers’ groups and how important it can be for a writer to find a good one.

4 screen-grabs from Virtual ConQuesT 52’s Twitch feed.
This montage shows moments from each of my four writing-related panels on Twitch (Images courtesy of ConQuesT 52. Montage by Jan S. Gephardt.)

We discussed our personal publishing journeys (each one different) with Guests of Honor Becky Chambers (no relation to M. C., as far as I'm aware) and Dan Wells, plus the science fiction writer Claire McCague. Readers of this blog know I’m a partner in Weird Sisters Publishing.

Two other writing-related panels focused on specialized writing topics.

Food in Fantasy provided a fun conversation with Claire McCaig and Reed Alexander. It explored all the ways that food can and has featured in both culture and pivotal scenes. We explored our own writing, and also the writing of others.

Trials and Tribulations of Running an Interstellar Space Station is probably going to provide a basis for a future blog post. Guest of Honor Becky Chambers, science fiction writer Claire McCague, and dedicated science fiction fan Michael Kingsley joined me for that one.

Overall a Good Experience at Virtual ConQuesT 52

We experienced a number of tech glitches during my first panel on Friday. How's Your Apocalypse was mostly designed to introduce Guests of Honor Becky Chambers, Dan Wells, and Toni Taylor. But Friday afternoon of the con is usually a lightly-attended time period. And once we got the bugs worked out, the convention went well, as far as I could tell.

Screen-grab from Virtual ConQuesT 52’s Twitch feed.
Here’s a glimpse of how the video for “How was Your Apocalypse?” looked on Twitch. (Image courtesy of ConQuesT 52).

I won't say I want to conduct all-virtual conventions from now on. But the more we use the technology, the more possibilities open up. People who wouldn’t have been able to attend in person had a chance to participate virtually.

The Twitch feed with its recordings opened the previously-unavailable opportunity to view and enjoy panels, even when they ran opposite something else I wanted to see. Now that we have the technology and know how to use it, I hope more and more conventions maintain a virtual presence. Even when the main event goes back to in-person.

Have you participated in a virtual science fiction convention? Please use the Comments section below to tell us what you thought!

IMAGE CREDITS

Many, many, many thanks to our image sources for this post! We appreciate the gracious Tom Fishburne, The Marketoonist, for permission to use his cartoon on this post, and we’re forever indebted to Virtual ConQuesT 52 and their guests for permission to post screen-grabs from their Twitch feed. This blog post would be pretty boring to look at without them!