We Get One More Chance

 By Jan S. Gephardt

I almost didn’t post anything this week. Life events (my daughter’s health crisis and my father’s recent death) have just about sandbagged me. But, with a little encouragement from my Weird Sister (who’s also had her cataclysms this year), I concluded I did need to say something this week. Because things in my beloved country are rapidly running toward a collision point. And because in this season of advance voting, we get one more chance.

Anyone who’s followed this blog for long knows I am passionate about voting. I was among the first crop of 18-year-olds allowed to vote in the US, and from that day on I have never voluntarily missed an election. While this makes me pretty run-of-the-mill in my family, it makes me rather uncommon among the general US population.

I wish it wasn’t so. I wish everyone who was old enough and eligible understood how important it is to make an educated vote on the key matters of the day.

Voices from the past weigh in. I hope people consider their words. (See credits below).

Of Primary Importance

Here in Kansas, we proved just how wrong polls can be, and just how powerful women – especially young, angry women – can be in an election. Back then I posted, tweeted, and blogged for all I was worth about the incredible importance of voting in every election, not just the big, “sexy” ones in the fall. I am under no illusion that I made a measurable difference, but enough people did step up to create a rather amazing outcome.

Nobody thought young people would vote. Nobody expected angry young women to vote in such numbers. Everybody had kind of written Kansas off as “oh, well, they’re a red state.”

They’re doing that again this fall. Will the “sleeping giant” of angry young women go back to sleep, assuming they “fixed it all” in August? Well, the issues are less clear-cut in November, if you choose to look at it that way. They aren’t for me personally, but I vote anyway. I guess we’ll find out what others decide.

This cartoon image says it better than I ever could in words. As the picture makes clear, it WOULD have made a difference. Whatever you do, don’t sit this one out! (See credits below).

Don’t be Discouraged by the Polls

One thing I keep telling myself is that I can’t lose hope. If Kansas in August is anything to go by, the polling then showed a close race. It was anything but close, although one benighted idiot did demand – and pay for – a recount.

When was the last time you got a call from an unknown number and actually picked up? Pollsters do their best, I assume. But they’re at a disadvantage in an age when we have to jealously guard our time and our privacy against abuse. Recent polls have consistently skewed conservative, in large part because who has landlines these days? Who routinely answers phone calls? Older people who haven’t caught on to the pitfalls.

Other places, such as focus groups, public events (fairs, shopping centers, etc.) offer opinions from small populations who often self-select to at least a certain extent. Email polling is often partisan to the point of becoming an echo-chamber. I’ve come to the conclusion that polls are just “iffy” guesses (sometimes accurate, sometimes not) till the election happens. Kansas in August proved that to a more dramatic extent than we’ve seen in a while.

The two “Georges” have it right. Inform yourself and vote, if you haven’t! (See credits below).

In the General Election we get One More Chance

The outcome still lies with us. We get one more chance. A lot of the candidates have bought into the “Big Lie” that previous elections were rigged. Note that none of that camp who DID get elected seem to worry that the vote was rigged in their case, however. We get one more chance to refrain from giving more power to that group.

In the name of “election integrity” state legislators already have instituted changes that inhibit many of the voters they deem to be skeevy (weirdly enough, they don’t seem to target old white conservatives, although those who need assistance to vote are out of luck). If some of the candidate-election commissioners, secretaries of state, and/or attorneys general are voted in, we’ll get more of that, plus legislatures with the power to reject results they don’t like.

Elections matter. We get one more chance in November.

IMAGE CREDITS:

Largely because (mentally and emotionally) my main reactor core has already melted down and I’m limping along on “impulse power” toward the nearest repair base, I used illustrations from my previous blog posts for this one. The two “vote-quote pairs” are both from my November 4, 2019 post, “Vote Tuesday! Will your voice be heard?” See that post for sources.

Similarly, the cartoon image by Nick Anderson of the Houston Chronicle came from my 2016 post, “Vote Like your Life Depends on It – Because it Just Might,” which used an image from The Coffee Party USA’s Facebook Page. Many thanks to all the original sources!

Not Meant That Way

By Jan S. Gephardt

This week I read something that stopped me in my tracks with its unconscious bias. It hit me wrong immediately. I realized it actually was quite offensive. But ever since then I’ve been puzzling through the reasons why. Because it clearly was not meant that way.

What did I read? In this case it was a pair of 42-year-old microaggressions. What made it nag at me so much was that I wanted to be fair, combined the fact that they were not meant that way.

We’ve all heard about microaggressions and unconscious biases by this time. That is, we have unless we’re living under a rock or militantly Not Paying Attention. But unpacking exactly what counts as a microaggression – or how we can become aware of our unconscious biases (pro tip: we all have them) – isn’t clear for most of us. It all seems kinda hard to pin down.

That’s because it is hard to pin down. And that’s usually because we sense that something about it is offensive, even though it’s not meant that way.

David Brin has been an important voice in science fiction (and in science) for decades. Like every intelligent being, he has learned many things since he wrote the unintentional microaggressions quoted in this post. (World of David Brin).

 

The Origin Story for These Particular Microaggressions

The passage that made me stop and do a double-take came from Sundiver, David Brin’s first novel. That's the one where he set up the universe for the “Uplift” series. The book dates to 1980 (Startide Rising, the sort-of sequel and the one that made the big, er, splash, didn’t come till 1983). I was reading it because I’ve been going back in time to read or re-read a lot of “vintage” science fiction lately.

Also, since I’m writing about an “uplifted” species, I thought I should refresh my memory of the novels that put that term into widespread science fictional use. I’d gotten roughly a third of the way into the book when I encountered the introduction of the character Helene DeSilva.

She’s been pre-introduced as “the best commandant a Confederacy outpost ever had.” When she first walks into the book, protagonist Jacob Demwa describes her as athletic, blonde, tall, and slender. She opens with a happy announcement in “geek-speak” about the mission. She is presented as a well-educated, capable, intelligent – even extraordinary – person. So far, so good. Brin is clearly bent on following a radical break with tradition in science fiction at that time: presenting female characters as, like, full-fledged, competent people. (You're shocked, I know).

The XK9s are uplifted police dogs who live on a space station. (Weird Sisters Publishing LLC. Cover art, L-R, is ©2020 by Lucy A. Synk, and ©2019 and 2020 by Jody A. Lee).

 

Insert Foot Into Mouth

Then her (male) boss introduces her this way: “this is Helene deSilva, Confederacy Commandant here on Mercury, and my right-hand man. Couldn’t get along without her.”

A little later, after Jacob learns her age and his reactions to her shift, she says, “I’ve worked too hard at becoming a woman, as well as an officer and a gentleman, to jump from ‘jail bait’ into Social Security.” She also makes it clear that, because he’s the only attractive man on the base who’s not subordinate to her, she’s interested in him sexually.

Oh, my. Where should I start? First of all, he didn’t mean it that way. (How many times have we heard have we heard that before?)

Microaggressors may say or do things that were “not meant that way,” but they’re microaggressions all the same. It’s not the intent, it’s the cumulative effect. (Terry Clarke Blog).

 

Trying to Imagine What That Would Look Like

Let me state right off the top that the purpose of this post is NOT to beat up on David Brin. I’m reasonably sure he had good intentions. In his daring first novel, which also involved many other complex scientific ideas and dramatic tasks to accomplish, the young author tried to walk what was still an extremely unfamiliar line in 1980.

Among all the other challenges, he sought to portray a woman as a confident, competent leader who was three-dimensional enough to also have “a female side.” But like many white, male science fiction writers of that period, he’d spent his life immersed in the overwhelmingly white and male world of “hard science.”

He probably had never been consciously aware of meeting a real live self-actualized professional woman of the sort he wanted to portray. Hypothetically, he thought they could exist. But he clearly wasn’t sure what such a being would “look like.”

Nicole Tersigni creates satirical images of mansplaining and other belittling behavior. (Nicole Tersigni/NYTimes).

 

Unpacking the Part that was Not Meant That Way

But the unconscious assumptions embedded in these lines torpedoed his best intentions. Like many early attempts to do something unfamiliar, it was – perhaps awkward is the kindest way to put it. (And yes, I’m aware of the microaggressions embedded in that comment).

Let’s first talk about the odd uses of male characterizations that we almost never hear anymore: “right-hand man” and “an officer and a gentleman.” Used as they are here, both would today be seen as microaggressions. The assumption that underpins them is that a man (implicitly understood to mean “white, male, and well-educated”) is the ultimate standard by which everything else is measured.

If you’re metaphorically a “man,” you’re being praised as “best-quality,” even if you’re biologically not a man, and therefore (by inferred definition) inferior. It’s the obverse of the assumption that gave us “run like a girl,” “throw like a girl,” “drive like a woman,” and “scream like a little girl.”

Here’s more of Nicole Tersigni’s wry wit on obnoxious, condescending men. (Nicole Tersigni/NYTimes).

 

What Lurks Under the Words?

“My right-hand man. Couldn’t get along without her” sounds archaic to most of us today. That’s for good reason. Very few men these days remain unwary (or oblivious) enough to publicly refer to a powerful, competent woman as their “right-hand man.” Not if they expect to survive her wrath, that is.

I should note that the phrase “right-hand man” has a military origin. It dates to the 17^th and 18^th centuries. Also, it's often equated with “my man Friday.” That one's been in the vernacular since 1719, when Daniel Defoe wrote Robinson Crusoe. As you might recall, in that story Friday was an Indigenous man who acted as a servant to the shipwrecked Crusoe. A “man Friday” has been understood ever since as meaning a (racially inferior) servant or assistant. Doubly demeaning in its subtext is the appellation, “Girl Friday.”

“Couldn’t get along without her” is, if anything, even more condescending than the supposedly-flattering elevation to male status. It implies that she exists to ease his way. From there it’s a very short walk to the limiting traditional status of (and the often-unreasonable demands placed upon) a “helpmeet.”

Anne Taintor comments on traditional women’s roles using mid-20th century ad pictures and biting sarcasm. (Anne Taintor/Bored Panda).

 

Military Missteps

The “an officer and a gentleman” example just piles it on higher and deeper. It again uses a phrase layered with military tradition. Also, it once again equates being superior (an officer) with being a man (which, of course, used to be literally true). And it lifts “man/gentleman/privileged being” up as the ideal thing to be.

If at this point you’re thinking those phrases really didn’t seem all that obnoxious to you, say hello to your own unconscious bias. Yes, I’m going on and on about a couple of stupid little phrases that weren’t meant to offend anyone. They were not meant that way. Just the opposite, probably. But that’s my point. These are microaggressions because while they may not be meant badly, when you open up the hood on them, they’re monstrous. They “merely” take it for granted that men are better than women. That’s all. Where could the harm possibly lie in that?

Confronting one’s unconscious bias is uncomfortable. It's exhausting to be more mindful of the subtext that lies within the things we say. A whole bunch of the unconscious stereotyping has been baked into our understandings. So it’s normal to feel overwhelmed and defensive. Especially if people are offended, even though our words were not meant that way.

This is a succinct variation on the sound privilege makes when it gets pinched. (Quotemaster).

 

Exhaustion Happens, But it’s An Excuse with an Expiration Date

The first response of those who’ve lived their whole lives in a place of privilege, only to find it being challenged now, is often to push back. Aside from that, thinking is hard work. It’s exhausting. It takes a lifetime to build the habit of mindfulness. Worse, we’re going to get it wrong. A lot. Especially at first.

People who’ve always previously had the luxury of not having to worry about who they may offend won't like this. It's terribly inconvenient and uncomfortable. So much easier and simpler to attack others by complaining that they are “too woke” and unreasonably “politically correct!”

But most of the world, throughout most of history, hasn't had such luxury. They've been forced to think about every word they say and everything they do in the presence of those with greater privilege. Now demographics are changing. Some population groups are growing. Census experts say the United States will lose its white majority and become a “majority minority” country by 2045. Parts of it have already gone that route. Other parts of the world are experiencing similar shifts.

Words from someone who can speak on the matter with authority. (The Daily Northwestern, Mira Yang).

 

Privilege Won’t Let People off the Hook Forever

The handwriting is on the wall. Currently-privileged, dominant-culture white people will become one of the minority groups in the country by mid-century. And unfortunately, contemporary trends give us little hope for a peaceful transition. It's more likely entitled, privileged white people with power will fight any erosion of their privilege (and their license to offend others without consequences).

But microaggressions add up, and they can be stifling to the recipients. Decades-long trends tell us they’re growing less and less tolerant. Less willing to submit meekly to abuse. Given the kind of demographic shifts we face, it’s not hard to foresee more awareness about microaggressions. And that means the time will come when “it was not meant that way” will no longer be any defense.

IMAGE CREDITS

The covers for David Brin’s novels and his bio photo all came from his website, “Worlds of David Brin.” Learn more about Sundiver here. Learn more about Startide Rising here. The covers of my (so far) three “XK9 books” about uplifted police dogs on a space station are courtesy of Weird Sisters Publishing LLC. Cover art, L-R, is ©2020 by Lucy A. Synk, and ©2019 and 2020 by Jody A. Lee.

Many thanks to the Terry Clarke Blog for the definition image for “microaggressions.” I’m doubly grateful to the New York Times and Nicole Tersigni for the wonderful glimpses into her book Men to Avoid in Art and Life. Thanks again, Bored Panda and Anne Taintor, for the “Put My Needs Last” image. Some readers may recall that I also used it in G. S. Norwood’s post “A Spotlessly Beautiful Home” last August.

I appreciate Quotemaster for the quote-image from Charleton Heston. And I deeply appreciate Mira Yang’s perspective as one who has been on the “receiving end.” Read her op-ed in The Daily Northwestern for a deeper look at her experiences.

An Archon to Enjoy

 By Jan S. Gephardt

I’m a little over a week back from my last in-person science fiction convention. It truly was an Archon to enjoy. Archon 45 offered at least a little bit of everything I’ve come to love about sf “cons.”

This was, of course, far from my only Archon – and if you follow my blog, you know I’ve written about it in the past. You might enjoy some of my past posts about the Art, the Artists, the Writers, the Costumes, the anticipation, and my appreciation of their sensible Covid protocols last year. There were some great costumes this year, too, but I didn’t get very good pictures of any. For better photo coverage, take a look at Elizabeth Donald’s blog post, “Archon 45 is a smash!”

Courtesy of Archon 45.

 

An Art Show to Enjoy

The Archon Art show is always a highlight for me. Not only do I always make a point of showing my artwork in the show, but I also enjoy looking at the strong showing of excellent art that usually shows up.

I reserved two panels, and I think I made a pretty decent showing. Sold a couple of pieces, which is an accomplishment (paper sculpture is hard to price at sf con levels). Cat Conrad was this year’s Artist Guest of Honor. It was fun to see him, and chit-chat a bit. He and I have been friendly acquaintances for a long time.

Many other “regulars” and favorites showed work, too. They added to the elements that made this an Archon to enjoy. Kansas City friends Rachael Mayo and Allison Stein came and brought their wonderful artwork (including gorgeous new 3D work by Rachael Mayo). St. Louis-area artists John E. Kauffman, Craig Skaggs, Brent Chumley, Mike Cole, and Eddie Wilson had Artists’ Alley booths, as well as an Art Show presence. Peri Charlifu, Arden Ellen Nixon, Theresa Mather, Sarah Clemens, and many more also had art in the show, so it added up to another great year of artwork at Archon.

Cat Conrad’s artwork is a screen-grab of publicly shared images on his website, © Cat Conrad. Jan S. Gephardt’s paper sculpture is ©2012-2022.

 

An Art Display to Especially Appreciate

But of all the artists in the show, I have to say I really thought Lucy A. Synk brought an unusually wonderful display. And that’s not just because about two-thirds of her panels featured artwork I commissioned.

it’s because there was an unusual quantity of gorgeous original oil, acrylic, and mixed-media paintings, and because several were impressively big. The show-stopper had to be her magnificent Oak Park Halloween painting, which I once blogged about. She also brought some of her mixed-media planetscapes, including the one that won an award at Chicon 8.

Of the “Rana Station” art, in addition to Jogging in Gaudí Park, First Responder, and Hildie, she also brought several “XK9 Portraits.” An all-around outstanding display! But don’t just take my word for it. She won Best of Show, Best Pro Artist, and tied with other artists for Fan’s Choice in the voting at Archon.

All of the artwork on Lucy A. Synk’s panels is ©2019-2022 by Lucy A. Synk.

Panels and Fellow Panelists

For me, a highlight of any science fiction convention is attending panels. In that way, too, it was an Archon to enjoy. I had a fun and lively group of artists, both in the audience (including Rachael Mayo, the ultimate word on dragons) and on the panel for “Do People Still Like Dragons?” Brent Chumley, Allison Stein, and Lucy A. Synk officially joined me on the panel. It was mostly about the current state of the art market for fantasy & sf artists. But we quickly established that yes, people do still not just like, but love dragons. They are in no danger of going away.

I got to be the moderator for all of the panels I was on, which I very much enjoy. I like being able to make sure that the audience is involved and able to ask questions. And after a career in teaching I know how to balance out the speakers so everyone gets a turn.

Maintaining balance (and keeping the conversation mostly in English laymen could understand) was my primary challenge for the “Current and Future A.I.” panel! My co-panelists, Bryce Meyer and Jack Glassman are experts in the field, whom I’ve had the pleasure of moderating before. Both are brilliant  – and very enthusiastic. They love above all else to talk about their field. But they’re also respectful, and they take a cue pretty well.

Photo ©2022 by Tyrell E. Gephardt.

 

A Great Note-Taker for a Co-Panelist

The downside of being the moderator is that it’s very difficult to take notes. We had a wide-ranging conversation at the panel titled, “Children’s Cartoons and the Adult Viewer.” My family and I have enjoyed a number of these shows, such as Inside Job, Lower Decks, Centaurworld, She-Ra and the Princesses of Power, and The Owl House. My co-panelists were Nick Butcher, Rhiannon Gonzalez, and Matthew Edward Munro. They brought ideas and reactions about a range of other shows. So did several well-versed audience members. The conversation included straight-up Anime shows and game tie-ins, as well – but unfortunately I can’t tell you their titles.

As the moderator I also couldn’t take notes on “Best Indie Authors of Science Fiction & Fantasy,” either. But fortunately, I didn’t have to! Co-panelist and the other author on the panel, Rachel Neumeier not only took great notes, she turned them into a blog post! For my list, I drew heavily on a post I’d written last year, “Indie Women of Science Fiction.” You’ll see that list included in Rachel’s post, but my write-up expands a bit more on each author, so both might interest you.

I don’t believe Rachel mentioned Jerry Boyd, however. He’s the creator of the “Bob and Nikki” series (now up to 28 titles) Two of our fellow panelists, Cheryl Medley and Linda Wyatt were not writers, but avid readers, who like to specialize in Indie writers for several reasons. Cheryl wore a “Bob’s Saucer Repair” T-shirt (the title of “Bob & Nikki Book 1”) to the panel, but did complain that Jerry had failed to put his name on it anywhere!

See credits below.

 

My Reading

I always like to do a reading at science fiction conventions I attend – and I also love to go to readings, as anyone who’s followed my blog for a while can attest. Over the years I’ve written about authors’ readings at DemiCon, ConQuesT, several at SoonerCon, at Worldcons, the NASFiC SpikeCon, FenCon, and of course, at Archon. Having a chance to share my work with fans was guaranteed to help make this an Archon to enjoy!

This year, however, I didn’t have much advance-time to publicize my reading at the convention itself. It was set for the very first night on the con. So I used social media beforehand, to alert people. It must’ve worked! Most of the people who came were there for my reading. I was originally set to read with D. A. Roberts and Elizabeth Donald, but Roberts had to cancel his attendance.

I had therefore planned to read a slightly longer selection (essentially Chapter Two of Bone of Contention – I’d read Chapter One last year, and several of my listeners were there last year, too). But we ran into technical difficulties that made us run late, and I didn’t have time to read all of mine. I plan to serialize it, plus the next several chapters after that, for my Newsletter subscribers in coming months, however (in case you’re curious).

Elizabeth was able to read all of hers, though! It was a wonderful short story called “Sisyphus,” from her Setting Suns anthology.

Photo of Aaron Hollingsworth and Jan S. Gephardt by Tyrell E. Gephardt.

 

Hollingsworth and Weird in the Dealers Room

I wrote quite a bit in my post just before Archon this year about my pre-con publicity, my special banner and table-cover, and my plans for sharing a dealers table with Aaron Hollingsworth. Most of those plans worked out pretty well.

I especially liked the chance to share Chapter One of my book What’s Bred in the Bone with prospective readers via a QR Code. A surprising number of people took a postcard, planning to read Chapter One that night and, if they liked it, come back the next day. Imagine my delight when they actually came back the next day to buy books! That definitely made it an Archon to enjoy!

I had a new toy, this time, a Square Terminal. It made things a whole lot easier. And it even prints out a paper receipt! I think exactly one person asked for one, but still! It has Weird Sisters Publishing’s logo on it and everything. Pretty nifty.

The cover art for What’s Bred in the Bone and A Bone to Pick is ©2019-2020 by Jody A. Lee.

 

An Archon to Enjoy – And I’m Already Looking Forward to the Next!

My Archon experience was good enough (and made enough money for me) to decide that Weird Sisters Publishing will have a dealers table from now on. Next spring, when the conventions start up again, I’ll actually have more titles (though people will have to wait a bit longer for Bone of Contention).

We plan to sell my sister’s two Deep Ellum stories as a single printed book, titled Deep Ellum Duo. We’ll also have print editions of the four novels in my late brother-in-law Warren Norwood’s Windhover Tetralogy. We’ll release all of these books this winter, so stand by for further updates on that!

All in all, as you probably have gathered, it was totally an Archon to enjoy. I’m already looking forward to next year!

IMAGE CREDITS

Some of the photos and illustrations I’ve used here have also turned up in other posts or on social media. Anything not credited is a photo or montage of photos that I took and assembled. I assembled the other montages, too, but the images in them have several sources.

Both Archon 45 headers are courtesy of Archon 45. Tyrell E. Gephardt and I both took photos of my Art Show display. I’m not sure whose shot this is. Artwork shown in the photo is ©2016-2022 by Jan S. Gephardt. The gallery of Cat Conrad’s artwork is a screen-grab of publicly shared images on his website. His artwork is © by Cat Conrad.

All of the artwork on Lucy A. Synk’s panels is ©2019-2022 by Lucy A. Synk. I took the photos with her permission (indeed, her cooperation). I’m using them here with her permission.

The photos of me at the Cartoons panel and with Aaron Hollingsworth at the Hollingsworth & Weird dealers table are both ©2022 by Tyrell E. Gephardt. I’m using them here with his permission.

The images of the “Indie Women of Science Fiction” are courtesy of the authors’ websites or social media, via my blog post. This montage was originally published (with full credits) on The Weird Blog and the two “Artdog Adventures” blogs. The artwork on the book covers with the QR codes in the last picture is ©2019 and 2020 by Jody A. Lee.