The visual essence of SpikeCon

Last week I talked about two of my favorite things to do a science fiction convention, the panels and author readings. But another inescapable aspect of any sf convention is visual. So please join me for one more look back--and around--at the visual essence of SpikeCon.

Visuals abound at a science fiction convention. Not only in the art show--although the art show at SpikeCon was large and filled with some amazing art. But the visual essence of SpikeCon went beyond the art show.

Here's my friend Lucy A. Synk's display at the SpikeCon Art Show. Ty and I acted as her agents at the show.

You knew you couldn't escape a photo of my SpikeCon Art Show panel, right? Between the bid sheets, the stories about each piece, and the obligatory postcards advertising my reading from What's Bred in the Bone, the was barely room for all the paper sculpture!

It also went beyond the ASFA (Association of Science Fiction and Fantasy Artists) Lounge, Art Display, and the presentation of the Chesley Awards, wonderful though those were.

This montage from Changeling Artist Collective shows details from nominated artworks by Collective members. They are (clockwise from upper left): Melissa Gay (paperback/epub nominee); Amanda Makepeace (paperback/epub category winner); Nataša Ilinčić (paperback/epub nominee); Emily Hare (unpublished monochrome nominee); Melissa Gay (unpublished color category winner); and Collective founder Rachel Quinlan (product illustration nominee).

The visual essence of SpikeCon didn't only consist of the costumes on display, either, although many of them were awesome! Adding to the panoply were many members of The Royal Manticoran Navy in full uniform. They held their MantiCon convention concurrently.

I'm indebted to BiteMeTheFilm's Twitter feed for the montage of wonderful SpikeCon costumes. Unfortunately, I can only positively identify Cerin Takeuchi (in the black-and-white kimono) of all the individuals shown, although I'm guessing that's budding videographer Chad Volpe in the samurai armor.

I'm once again indebted to an unidentified photographer who posted this photo of one of The Royal Manticoran Navy's tables (from the MantiCon Facebook page), this one featuring a display in support of Big Cat Rescue of Tampa, FL. Manticoran Navy members pictured are Bill Knight, Dakota Ferris, and Rob Clevenger, although I'm sorry to say I don't know which is which.

Nor did the visual essence of SpikeCon only consist of the distinctive Davis Conference Center, although from the Eye of Sauron-style entrance throughout the unique interior, it added its own signature to the event.

The unique style of the Davis Conference Center in Layton, Utah, added its own signature to the visual essence of SpikeCon. See hallways in several photos in this post, as well as the unusual wall decorations behind  The Royal Manticoran Navy's table in the photo above this one. I took this photo on July 3, 2019, when we were setting up the Art Show. Can you blame this geek girl for looking at the entrance and immediately flashing on the Eye of Sauron?

The visual essence of SpikeCon was more than the sum of its many interesting parts. I hope you've enjoyed taking one more look back with me at what was for me an extremely enjoyable convention.

IMAGE CREDITS: Many thanks to SpikeCon’s homepage for the graphic gestalt of when, where, and who were headliner guests; to Google Image Search and Changeling Artist Collective for the Chesley Awards montage; and to BiteMeTheFilm's Twitter feed for the montage of costumes that offers a small, tantalizing taste of the amazing creations that wandered the halls. Also thanks to MantiCon's Facebook Page for the photo of one of the Royal Manticoran Navy table and display supporting Big Cat Rescue of Tampa FL. All other photos were taken by me, Jan S. Gephardt, with permissions as needed. If you wish to re-post any, please include an attribution to me as the photographer, and a link back to this post. Thanks!

Still time to create a better world

The Artdog Quote-Pairing of the Week 

Enough naysayers persist in positions of power to dangerously impede efforts to mitigate climate change. Most insist nothing is wrong with the world. Others claim it's impossible to do anything. 

But "impossible" is what the unimaginative tend to call the problem we haven't yet solved.

One of the most useful things we can do for our future is work hard to vote all of the former out of office. The other thing we must figure out is how to ensure that the second group (the "impossibles") were too pessimistic. God help us all if they're right, but meanwhile it's our responsibility to build a better world.

I kicked off last month with a video about climate change refugees. It featured a call to proactive action. This month, I've been pairing quotes about being proactive in one's life with quotes about climate change. If we resolve there's still time to create a better world, then we also must resolve to try!

IMAGE CREDITS: Many thanks to Faster-To-Master's "Growth-mindset quotes" page, for the quote from Audrey Hepburn. I also appreciate the two sources I accessed to create the Phil Harding quote-image. They are Phil Harding's own website, which provided the quote (Ref. 91f), and AliExpress, which provided the cool view of a bamboo forest looking straight up.

Are you feeling it yet?

The Artdog Image(s) of Interest

Are you feeling it yet? I don't think anyone in the world lives a charmed enough life to avoid bumping up against the effects of climate change in recent years. No matter how hard they close their eyes, cover their ears, and try to make it go away by ignoring it.

Are you feeling it yet? The signs are all around us (photo credits below).

Are you feeling it yet? In my area recently we've been feeling it in the form of extreme weather, from historic flooding to a recently-broken heat wave that blanketed well beyond half the USA in feels-like-triple-digits humid misery.

Are you feeling it yet? Earlier this year it was more wildfires in the mountain west, although we might miss a super-violent hurricane season (had enough of those lately, thanks!). Unfortunately that doesn't mean sea-level rise is slowing down. Just the opposite: it's speeding up!

Are you feeling it yet? Sorry to say, we all are. What steps are you taking to fight it? The future will never forgive us if we give up now.

IMAGE CREDITS: I created a montage of four representative photos for today's post. I am grateful for them to the following, clockwise from upper left: Youth climate change protesters photographed by Gary Calton for The Observer, as posted online by The Guardian; a storm flooding Prince Edward Island's Oyster Bed Bridge, as photographed by Don Jardine and published online by Maclean's; insanely hot weather blisters an unnamed city in a photo by Ralph Freso of Getty Images, published online by Grist; and the Maryland Climate Coalition stages a protest in a photo credited to them and published in online by Public News Service.

Panels and readings at SpikeCon

Panels and readings are among my favorite things to do at science fiction conventions.

Yes, I know this makes me "sercon" (oldstyle fan-speak for "too serious to be any fun"). But I've decided I'm just gonna have to "own it." Diss me if you must, but I like going to panels and readings where I can get new ideas and listen to interesting stories more than I like going to parties where I can't hear what anyone is saying and most of the people are drunk.

I'm happy to report that there were some excellent panels and readings at SpikeCon this year. As I sometimes do, I discovered that I kept bumping into some of the same interesting people over and over at this convention. Of course, that's partially because many of us have similar interests, and partially because, although some 1,100 memberships were sold to SpikeCon, for a variety of reasons only about 850 people showed up.

This is the "Editing vs. Beta Reading" panel at SpikeCon. Yes, there is a massive difference, and it was well explored by the panelists. They are, L-R: Multimedia author Dan Wells, Headliner Editor Susan Chang, freelance editor Melissa Meibos, author C.H. Hung, and author/freelance editor Joe Monson.

This explains why several of the people in some these pictures are the same people as the ones in other pictures! In fact, the identical same group was scheduled together for two different panels I attended. Lucky for their growing group of devoted followers, they had a range of different things to say each time.

The "Privilege and Passing in Genre Fiction" panel at SpikeCon provided a lively and informative discussion of the ways in which characters in our genres reflect (or sometimes misrepresent) issues faced by many people in real life. The knowledgeable and wise panelists are, L-R: Inez Aguilar R., Aften Brook Szymanski, Jayrod P. Garrett, C.H. Hung, and B. Daniel Blatt.

Here's the "Write What You Don't Know" panel at SpikeCon, and no, your eyes do not deceive you. This is the exact same group of panelists from the picture above. Some of them traded seats just to mess with us. But they were every bit as wise and interesting when they talked about doing your research and seeking new understandings as they were on the previous panel. For the record, they are, L-R: Aften Brook Szymanski, C.H. Hung, Jayrod P. Garrett, Inez Aguilar R., and B. Daniel Blatt. 

This was possibly the most valuable panel I attended at SpikeCon."After the Action" discussed the trauma writers inflict on their characters in terms of realism in fiction and the effects of trauma on real people. The discussion also quickly ranged into the effect of our fiction on real people--our readers, who may themselves be trauma survivors or have loved ones or associates who are. The uniquely qualified panelists are: L-R: Amy White, an author, librarian, and puppeteer with a trauma survivor in her family; Retired Marine Col. Jonathan P. Brazee, prolific author of military sf; psychologists and social workers Cerin Takeuchi and Anna Marasco; and author and sworn law enforcement officer Griffin Barber.

I was on several panels, myself, but you'll notice they aren't featured here. I don't have pictures of panels I was on, or of my reading at SpikeCon (though it was gratifyingly well-attended! Thank you!!). 

I may not have a picture from my own reading at SpikeCon, but I did get photos of the authors who read before and after me. Mike Substelny, L, read his as-yet-unpublished but wildly funny and satisfying time travel story, "Plan Madison."
At R, Erika Kuta Marler read a story from an anthology in the Eden's Outcast universe.

This is largely because it's hard to photograph oneself in such situations. Tyrell Gephardt, my son and regular convention partner who usually photographs my events when possible, was almost invariably scheduled on his own panels at the same times. 

But trust me. They were brilliant. And there's always a chance the topics of some of those panels and readings will turn up someday as the subjects of blog posts in the future.

IMAGE CREDITS: Many thanks to SpikeCon's homepage for the graphic gestalt of when, where, and who were headliner guests. All other photos in this post were taken by me, Jan S. Gephardt, with the permission of their subjects. If you wish to re-post or use them, please include an attribution to me as the photographer, and if possible include a link back to this page. Thanks!

We have to try

The Artdog Quote-Pairing of the Week

The task is immense. The stakes couldn't be higher. Our rainforests have often been called the "lungs of the Earth." But they're disappearing in literal clouds of smoke. Or in caravans of logging trucks. Or they're being mined, unsustainably replaced, dried out, and otherwise destroyed at a truly devastating rate. It won't be easy to reverse that trend, but we have to try.

Rainforests, like coral reefs, are extremely valuable to our planet's survival. There are things we can do to help save them. But we must do them now!

I kicked off last month with a video about climate change refugees. It featured a call to proactive action. This month, I'm pairing quotes about being proactive in one's life with quotes about climate change. It's not too late to mitigate the effects--we must resolve to try!

IMAGE CREDITS: Many thanks to Faster-To-Master's "Growth-mindset quotes" page, for the quote from Theodore Roosevelt, and to The World Counts, for the informational graphic about rainforest loss. 

Apocalyptic vision?

The Artdog Image of Interest 

We don't have to suffer all the disasters to discover we must run for our lives. It only takes one. But in this week's Image of interest Sean McCabe's illustration (originally created for Rolling Stone) evokes a range of them to emphasize his point. Climate change not only is real, but it's displacing more and more of us.

ILLUSTRATION CREDIT: Many, many thanks to Sean McCabe and Rolling Stone, for this apocalyptic evocation of the devastation that can lead to displacement of climate refugees.

Where are we?

Setting is a crucial part of any story. Answering the question, "Where are we?" in a satisfactory way is essential, both in life and in fiction. I've blogged about maps and their importance to fictional worlds in a previous post, but I've once again been thinking about them a lot, recently.

In my post "Welcome to Rana Station," I introduced the environment for the fictional world of my "XK9 novels." But that post only began to open the door a little bit on the world I've been working to create.

I used printouts to scale from Google Maps, glued to a curving "1/4-torus" model in 2017. Each piece was a map of a location I knew well from real life. It was an attempt to visualize size, scale, and sight lines on Rana Station.

The lives of my characters unfold in a very particular series of settings, each with distinctive geographical features. To answer the "where are we?" question--to make these settings come alive in my readers' minds--this writer needs to envision them in rather specific detail.

Here's another 3D model, which I subsequently abandoned for a number of reasons. But it gave me a bit more of a feel for how the terraces might lie in relationship to each other, and what kind of drainage patterns might develop.

That means I have to make a map. Actually, it means lots and lots of maps, of varying things at varying scales, for varying purposes. Road maps, transit maps, maps of Corona Tower's layout and crops, maps of the local parks, floor plans, and more.

This is a 2D map of how I thought residence towers and crop layouts might look, on one of Precinct 9's agricultural terraces. The horizontal shapes in the lower part of the map represent a two-lane rim road with a sidewalk next to the crop rows and raised beds, a protective berm at the rim, and double maglev track on a level several meters below the lip of the cliff-like primary terrace.

Each new scene or setting demands its own answer to "Where are we?"

As part of my efforts to figure out how the parks could have been laid out in the spaces alongside the transit switchbacks I describe in the books as connecting primary terraces, I designed several different park spaces. I envisioned the parks with multiple elevations, paralleling the switchbacks.

Of course, no paper sculptor is going to think of maps purely in terms of two dimensions. I needed to add 3D elevation, to make sure the terraces, stairs, ramps, and switchbacks would work as I envisioned them. In some cases, I found that they did. In others? Not so much!

I made this 3D model in an effort to figure out how the switchbacks between primary terraces on Rana Station might look.

Figuring out exactly how Rana Station works has produced a long series of maps and 3D models, over the course of years. Some worked better than others. Some, I've abandoned altogether. And some, like the three little "Park Sections" I put on my Art Show panel at SpikeCon, I've subsequently had matted and displayed as art.

Here's the Four-Tennis-Court and Terraced Lawn Space 3D model, developed from a 2D map drawing. With matting help from my husband Pascal and our friend Randal Spangler, I prepared them for display at SpikeCon this month.

This is the Fútbol Park Space 3D model, developed from a 2D map drawing. With matting help from my husband Pascal and our friend Randal Spangler, I prepared them for display at SpikeCon this month.

This is my Playground and Tennis-Court Park Space 3D model that I developed from a 2D map drawing. With matting help from my husband Pascal and our friend Randal Spangler, I prepared them for display at SpikeCon this month.

This is a photo of my Art Show display panel at SpikeCon in July 2019, featuring her paper sculpture, including the three "Park Space" models, near the center of the display.

This mapping and modeling process is far from over. The "Where are we?" questions continue to develop.

IMAGES: All the photos in this post were taken by me, Jan S. Gephardt, of my own models, maps, and 2019 SpikeCon Art Show panel. If you wish to use or re-post any of them, please do me the courtesy of an acknowledgement and a link back to this post. Thanks!