Indie Author Speed-Dating

The Capricon Project continues

On Friday of Capricon 40 I participated in the Indie Author Speed-Dating event. The idea was that we'd bring handouts and freebies, have books on hand to sell or show, and be prepared to deliver our "elevator speech" to tell people what our books are all about. The next morning I followed a similar process when I made myself available for autographing (more on that later).

Here's Jan at her autographing table, with books and SWAG from Weird Sisters Publishing. (Photo by Ty Gephardt.)

Timed during the dinner hour, the Indie Author Speed-Dating event didn't enjoy the best of turnouts. Some folks came in, and some of us actually sold books. A few of us circulated to "speed-date" other authors so we could get to know each other better. It would have been more fun if we'd had more people in the "audience," but it was a nice opportunity for those who did come to talk one-on-one with authors.

There were some interesting books and authors at this event. I thought perhaps you'd like a "Virtual Indie Author Speed-Dating" glimpse! Where possible, I've used authors' online statements and/or book descriptions in lieu of their "elevator speeches."

Rook Creek Books

Blake Hausladen and Deanna Sjolander are the authors of Rook Creek Books. Deanna moderated the event. She and Blake did a lot of circulating at the beginning, to kind of get things going.

Eighteen Books by Blake Hausladen. Montage courtesy of Rook Creek Books.

Blake's Vesteal Series is 15 books long. "The completed series has been published into three omnibus collection, The Ghosts in the Yew, Native Silver, and The Vastness." NOTE: Rock Creek Books also presented a showing of their stop-motion movie production of Beyond the Edge at Capricon 40.

Deanna's latest published editing project is Eileen Flaherty's The Perilous Step. Her own first novel, Sophie and the G-Man, is set to publish later this month (Feb. 2020).

Rebecca Ciardullo, a.k.a. R. L. Frencl

Rebecca brought the three books of her fantasy Star Circle Trilogy, which was published last year. Here's a brief description from the trilogy's page on Amazon:

"The Darkness that lives behind the stars rises, spinning plots and lies to entrap humanity and bring down the civilizations of mankind. The Star Bearers are called by the Lights to represent the best of mankind and drive the Darkness back behind the stars.

"Aerin and Robyn have been down this road before. Both have stood at a point of the Circle, giving all to the fight. They were two of the few who walked away from the last convergence. The Stars align once more, calling them to represent a world that doesn't know it's in danger."

The Star Circle Trilogy by R. L Frencl includes The Shattered Prism, Walking with Shadows, and Dark Rainbow's End. (photo courtesy of Amazon.)

She is the author of at least one other series, including some books available in the UK, as well as in the USA. I didn't get a chance to talk much with Rebecca, but she and author Jen Haeger let me take their picture.

Rebecca Ciardullo/R. L. Frencl and Jen Haeger chat at the Indie Author Speed-Dating event at Capricon 40 (Photo by Jan S. Gephardt)

Jen Haeger

As I mentioned in an earlier post on this blog, Jen and I collaborated long-distance on a blog post back in 2017. Neither of us was able to come to Capricon 37. Without meaning to, we "orphaned" the panel Writing about Forensics, so we tried to make up for it by blogging the panel discussion.

At that time she'd only just published her first novel, a paranormal romance titled Moonlight Medicine: Onset. According to her website, however, "My werewolf paranormal romance trilogy, Moonlight Medicine: Onset, Moonlight Medicine: Epidemic, and Moonlight Medicine: Inoculation, previously published by Crowded Quarantine Publications, is not currently available except at the Barnes and Noble in Brighton, MI."

The WHISPS Series-to-date consists of Whispers of a Killer, Whispers of Terror, and Whispers of Conspiracy. (Image courtesy of Amazon.)

Meanwhile she's been busy with the WHISPS Series (currently up to three books), and a novel titled Miles from Manistique. 

Chris Gerrib

Chris goes to a lot of the same sf conventions I do. I featured him in a post last year about three authors I'd encountered at Capricon 39. His series about Martian pirates continues to be the extent of his science fiction explorations. He tells me he's been writing mysteries more recently.

Chris Gerrib's Martian Pirates Trilogy consists of The Mars Run, Pirates of Mars, and The Night Watch. (Image courtesy of Amazon.)

Chris shared a table with me at the Indie Author Speed Dating event. He and L.A. Kirchheimer posed for a photo beside my and Chris's displays.

Chris Gerrib and L. A. Kirchheimer show me their books at Capricon 40's Indie Author Speed-Dating event. (Photo by Jan S. Gephardt)

L. A. Kirchheimer

L. A. Kirchheimer seems like an interesting person, though I barely got to talk with her. To date she's written two books, Secrets in Mystic Woods, and Journey Through Darkness.

Both center around the paranormal adventures of thirteen-year-old Charity Graves, who starts the first book seeking to learn more about a teacher with whom she's come into conflict, but whose concerns quickly escalate to much larger and more terrifying threats.

L. A. Kirchheimer's books, Secrets in Mystic Woods and Journey Through Darkness recount the adventures of 13-year-old Charity Graves. At right, Kirchheimer participates in a panel at Capricon 40. (Cover images courtesy of Amazon. Kirchheimer at Capricon 40 courtesy of her Facebook Author Page). 

We've only gotten partway through the list of authors at the Indie Author Speed-Dating event. In the next post we'll meet some more. I hope you learned about someone new whose books you'd like to explore! Please leave a comment if you did!

IMAGE CREDITS:
The photo of Jan S. Gephardt with books from Weird Sisters Publishing is by Tyrell Gephardt, and is used with his permission.
Many thanks to Rook Creek Books for the Vesteal Series composite (and description), featuring books by Blake Hausladen with covers by Elizabeth Leggett. 
Many thanks to Amazon for the photo of R. L. Frencl's The Star Circle Trilogy, Jen Haeger's WHISPS Series, Chris Gerrib's Martian Pirates Trilogy, and the cover art for L. A. Kirchheimer's two books. The photo of Kirchheimer at the Capricon 40 panel is courtesy of the author's Facebook Page.
The photos of Jen Haeger with Rebecca Ciardullo (R. L. Frencl),  and of Chris Gerrib with L. A. Kirchheimer, are both by Jan S. Gephardt, taken with their consent at the Indie Author Speed-Dating event at Capricon 40. Re-post or reblog if you wish, but please include an attribution to Jan as the photographer and a link back to this post, if possible.

Detectives in the Wild

The Capricon Project - Detectives in the Wild

My first panel at Capricon  40 was one of the three I'm scheduled to moderate, "Detectives in the Wild," about the many ways that mystery stories show up in speculative fiction.

"Detectives in the Wild" panelists, L-R: Jan S. Gephardt (Moderator), Deirdre Murphy, Mark H. Huston, and Clifford Royal Johns. (photo by a kindly audience member who didn't share his name).

Deirdre Murphy, Mark Huston, and Clifford Royal Johns joined me as co-panelists. All of us have written, or are writing, speculative fiction mysteries. Just between the four of us, we covered the mystery sub-categories of Cozies, Amateur Sleuth, Detective, and Police Procedural.

L-R: Jan S. Gephardt's What's Bred in the Bone and soon-to-be-released The Other Side of Fear feature crime-solving, super-smart police dogs. Mark H. Huston's Up-Time Pride and Down-Time Prejudice takes an alternate-history look at Austen. And Clifford Royal Johns' Walking Shadow explores the implications of a memory-erasing procedure. Unfortunately, Deirdre Murphy's book, Murder and Sea Monsters, isn't out yet. (See below for full image credits for these covers).

The panel's description made it seem as if mysteries in the speculative genres that range outside of urban fantasy are hard to find, but between us and the audience we came up with a bunch. We quickly found ourselves sub-categorizing them, too.

Alternate History 

"Detectives in the Wild" aren't hard to find in the alternate history genre, which can encompass any number of co-genres. Our panel's alternate history point-person Mark Huston gave us an excellent overview.

Mark writes in Eric Flint's 1632 Universe.  Here are just a few of the recommended alternative history mystery novels we came up with.

Randall Garrett, Georg Huff and Paula Goodlett, Julie McElwain, and Michael Chabon all have entries in this category. Garrett and McElwain each created a series after publishing their series-openers shown here. (See below for full image credits).

Noir 

No discussion of mysteries would be complete without the Noir Mystery category. For some people, it's the first kind of mystery they think about when they hear "mystery fiction." The Noir sub-genre has its own tropes and unique characteristics. 

These often extend into speculative fiction categories in distinctive ways, including stories with the feel and general optics of traditional Noir, but are played for laughs or to make a different point. Here are some of the Noir-style novels we touched on.

Some panel- and audience-recommended recommended examples of Noir-style mysteries in speculative fiction. Authors are Richard K. Morgan, Jonathan Lethem, David Carrico, and Glen Cook. (See below for full credits).

Paranormal

Yes, we know we weren't supposed to get into urban fantasy, and the line between it and paranormal stories is blurry. But there are just so many good ones! We and the audience shared ideas about some that are well worth reading. Many are the first books in enduring and well-loved series.

Lee Killough's Garreth Mikaelian, Charlaine Harris's Sookie Stackhouse, Laurel K. Hamilton's Anita Blake, and Jim Butcher's Harry Dresden all anchor satisfying series. These are covers for the first book in each. (See below for full credits).

Robots and AIs

Speculative fiction's detectives aren't always human. The unusual capabilities of extrapolated and imagined artificial intelligences--whether they're in the form of androids, robots, or other things--have made these creations a favorite for speculative fiction writers, especially since Isaac Asimov's classic team of R. Daneel Olivaw and Elijah Baley. Panelists and audience came up with several highly-recommended titles and series.

From left to right, these covers represent the Isaac Asimov classic The Caves of Steel, A. Lee Martinez's The Automatic Detective (with distinctly Noir-ish cover art to reflect the adventures of Mack Megaton, an investigative robot), Guy Haley's Reality 36 (a cyborg and an AI team up as investigators), and Donna Andrews' cozy mystery You've Got Murder, the debut outing for Turing Hopper ("a computer with the heart of Miss Marple"),

General Science Fiction

But not all science fiction mysteries fall into easy categories. That's the nature of the genre--it's grounded in the unexpected. We couldn't complete our survey of "Detectives in the Wild" without talking about some that defy confinement in traditional mystery categories.

These covers represent some of the unique places science fiction can go with a mystery. Lee Killough's The Doppelgänger Gambit explores the nature of a "perfect alibi" in a world where one's digital privacy has reached a new dimension. Kristine Kathryn Rusch explores questions of justice in a world where the presence of aliens changes the rules, in The Disappeared (first in the Retrieval Artist Series). Mur Lafferty's Six Wakes is the ultimate closed-room mystery in which seven crew members of a starship awaken to discover their previous bodies were murdered--by one of them. But they don't remember who is the murderer. And in Arkady Martine's "interstellar mystery" A Memory Called Empire, an ambassador must discover who killed her predecessor (everyone swears it was an accident) before she meets a similar fate.

I'm sorry I couldn't transport all of my readers into the panel room itself. This little overview has only scratched the surface of our discussion. I have to give a lot of credit to the breadth and depth of our panelists' knowledge--and also to our stellar audience. It took all of us to create what was for me a fun and informative panel. I hope they enjoyed "Detectives in the Wild" as much as I did.

IMAGE CREDITS:

First of all, many, many thanks to the kind gentleman from the audience who volunteered to take our picture. (Who was that nice man?) He didn't identify himself, but he has my deep gratitude! 
The images of our book covers come from varied sources. The cover art for Jan S. Gephardt's What's Bred in the Bone is © 2019 by Jody A. Lee, and the cover art for Jan's The Other Side of Fear (watch for it in late March 2020!) is © 2020 by Lucy A. Synk.  The cover image for Mark H. Huston's Up-Time Pride and Down-Time Prejudice is courtesy of Amazon. Many thanks to Goodreads for Clifford Royal Johns' Walking Shadow cover image. Unfortunately, Deirdre Murphy's Murder and Sea Monsters isn't yet available online.

ALTERNATE HISTORY and NOIR Covers:

Many thanks to Goodreads, for the cover of Randall Garrett's Murder and Magic, the first Lord Darcy book. I also wish to thank Ring of Fire Press for the cover image for A Holmes for the Czar. Many thanks to Goodreads again, for the cover image for Julie McElwain's A Murder in Time. Finally, thank you to Abe Books, for Michael Chabon's cover image from The Yiddish Policemen's Union. 
I'm grateful to Book Depository, for the Altered Carbon cover art on Richard K. Morgan's book. Many thanks to Wikimedia for the first edition cover for Jonathan Lethem's Gun, with Occasional Music. Gratitude and thanks to Amazon for the Magdeburg Noir cover image, from David Carrico of Ring of Fire. Note: Carrico has showed up previously on Jan's Artdog Adventures blog. Last but not least for the Noir section, I am indebted to Abe Books for a good image of cover art for Glen Cook's Sweet Silver Blues, first of the Garrett Files series.

PARANORMAL, ROBOT/AI and GENERAL SF Covers:

Many thanks to Amazon for the cover of Lee Killough's Blood Hunt, and to Goodreads for the cover images of Charlaine Harris's Dead Until Dark, Laurel K. Hamilton's Guilty Pleasures, and Jim Butcher's Storm Front. 
I'm grateful to Amazon for the cover of Isaac Asimov's The Caves of Steel, and to Goodreads for cover images for A. Lee Martinez's The Automatic Detective, Guy Haley's Reality 36, and Donna Andrews' You've got Murder. 
Finally, many thanks to Amazon, for the covers of Lee Killough's The Doppelgänger Gambit, and Mur Lafferty's Six Wakes. I'm grateful to Goodreads for the cover of Kristine Kathryn Rusch's The Disappeared, and to NPR (nice interview there, too!) for the cover of Arkady Martine's A Memory Called Empire. I literally couldn't have created this post without y'all! Thank you!

The Capricon Project

Let me tell you about The Capricon Project. As I noted on this blog Feb. 1, I'm planning to attend Capricon 40 this week (God and the weather willing).  While I'm there, my publishing company and I hope to join forces (and blogs) to cover the event.

As you may know, I'm the Weirdness Manager for Weird Sisters Publishing LLC (I'm half of the partnership. The other half is my sister, G. S. Norwood).  As Weirdness Manager, I also write most of our posts for The Weird Blog, and I'm in charge of preparing and posting all of them. But I can only split "me" into so many fragments.

Image courtesy of Capricon 40.

What is The Capricon Project?

Artdog Adventures and The Weird Blog will join forces for The Capricon Project. I propose to take lots of photos and do a lot of things at the convention (followers of Artdog Adventures are familiar with my process).

I like to highlight things I've seen, people I've met, and panels I've attended or helped present. We plan to cross-post the short profiles, photos, and other items I generate, to both blogs and some of our social media.

What's the plan?

I have a pretty ambitious schedule for Capricon 40. I'm scheduled for eight programming events, including five panel discussions (three of which I moderate), an autograph session, a reading, and the Indie Author Speed-Dating event.

Photo by Jan S. Gephardt. This is my Art Show display at Archon in Collinsville, IL as it looked October 6, 2019.

I also have two display panels reserved at the Art Show. I'll have a few copies of What's Bred in the Bone with me, available for sale at the con (reduced at-con price is $13, or almost $2 off the regular trade paperback price).

I also plan to attend other panels and readings, and tour the Dealers' Room. If they agree, I'll take pictures or short videos of dealers whose work I can recommend, and post them on my social media (Artdog Studio is on Facebook and Pinterest. Jan S. Gephardt-Author is on Facebook and Twitter, and Weird Sisters Publishing is on Facebook), as well as collect them for possible blog posts.

I hope you'll follow my posts, and see how well The Capricon Project turns out!

IMAGE CREDITS:

The half-header for Capricon 40 is courtesy of the Capricon Website. 

The photo of my book display at the May 24, 2019 "Mad Authors' Salon" at ConQuesT 50 is by Ty Gephardt, and used with his permission. 

Nothing is simple

Nothing is simple, although it may look that way from the outside.

I found an article the other day in one of my online research resources, Police Magazine. It reported on a disturbance in New York City's Grand Central subway station. 

A group called Decolonize this Place organized it as part of a daylong series of demonstrations. This is the third time this group has staged demonstrations since earlier in 2019.

A still from a video from New York Post, via Police Magazine, showing the protest in the terminal. (Police Magazine/New York Post)

They didn't manage to close it down, as they'd hoped.

What they did manage to do was get national TV and other news coverage, and slow things down in Midtown. Reports on the size of the crowd and number of arrests varied. They left banners and sprayed graffiti, and tweeted about it. And they made an effort to look both intimidating and impossible to identify. Seems pretty obvious this group is up to no good, right?

Well, nothing is simple.

What's the goal of the disruption?

This group clearly hates the police. According to their tweets, they want to "end all policing & destruction of public order . . . to bring public safety back to NYC." They also want all mass transit fees ended, so the rides are all free. 

Photo from 1010 WINS Radio, via Twitter. (Note the
linked Twitter video contains profanity).

Let's unpack this. First of all, "end all policing" is connected to "destruction of public order." 

The goal is "to bring public safety back to NYC."

While the article in Police Magazine did list their goals as "no cops in the MTA, free transit [and] no harassment, " they focused more on the disruption and vandalism. 

That's not surprising. Their aim, as stated by MTA Chief Safety Officer Pat Warren (quoted in the article), is to protect "transit services that get New Yorkers to their jobs, schools, doctors and other places they need to go." Simple enough.

But nothing is simple.

How can the protests promote the need for public safety?

I'd just read another article about a UK study that demonstrated a 14-21% reduction in crime when the police patrolled subway stations every 15 minutes. These platforms previously had not had a police presence--exactly what the New York demonstrators are demanding.

The article even went so far as to make a direct comparison: "London’s Underground, akin to NYC’s subway system, was the first underground railway in the world, and now services more than 1.3 billion passengers per year."

The police show up and crime goes down. That's pretty simple, isn't it? But nothing is simple.

A study showed police patrols every 15 minutes in the London Underground deterred crime. Yet Decolonize this Place is demanding that police stop patrolling the New York City subways. Does this make sense? (Photo courtesy of Forensic).

 
Who's protecting whom, and from what?

The London Underground recently has seen delays from demonstrations, too, but those were staged by climate activists seeking attention. One of the biggest worries there seems to be terrorist attacks (and with good reason).

But hardly any of the London Underground's users seem to think the police themselves are a danger to public safety. No so, for Decolonize this Place. They demonstrated to remove them from the subways entirely. 

The New York City subway system's police officers, interacting with an assortment of low-income persons of color have been captured in distressing videos that went viral. This apparently happens frequently in the subways. 

The number of homeless persons living in the New York City subways has jumped by 20% recently (screencap of a video via ABC-7 News)

The MTA recently (and controversially) hired 500 new officers to patrol the subways. They are there to address "quality of life" issues, such as illegal food vendors and the growing number of homeless people living in the subway system. 

Meanwhile, the NYPD has been cracking down on low-level crimes, and that's no surprise, since that kind of crime is up. But that often means focusing on persons of color, whether it's because of simple economics or racial bias. But addressing those issues, no matter how tactfully, is no simple matter.

Respect is not as simple a matter as it may seem. 

1981 Brixton Riots in the UK: first large-scale clash
between low-income black youths and white British
police in the 20th Century. (Photo from The
Royal Gazette)

As far as I can tell, one clear problem with NYPD and MTA officers' approach is that it never seems to be respectful. Defensive, definitely--and in the current environment, caution is warranted.

But whatever their intentions, the effect when they surround a tiny, elderly churro vender with four or five much taller armed police officers and handcuff her is pretty darned intimidating.

This is not a new thing, this antagonism between police forces and the working poor. And it's not isolated to New York City. Fines that unfairly burdened lower-income residents of Ferguson MO fueled some of the fury in the wake of Michael Brown's killing. And all too often cities' attempts to "deal with the homeless problem" turn into efforts to chase the homeless out of town--or at least out of sight.

Officials used heavy equipment to clear out a homeless camp near Moncton, New Brunswick last May (photo by Shane Magee/CBC)

Even efforts designed to be helpful don't always succeed. Many places create task forces that include social workers to coordinate with the police, but their success is mixed. "Neighborhood policing" doesn't always have the desired result.

It's not just the working poor who feel disrespected. Police officers also have every reason to feel they are not respected. Indeed, too often they are violently targeted. "Bad actors" among sworn-officer ranks get sensational headlines, and besmirch the ones who honestly struggle each day to serve their communities.

Nothing is simple. Especially not efforts to negotiate the delicate balance of respect, accountability, and public order that characterizes interactions between the police and the working poor.

But it's quite simply true that everyone's safety and security depends on finding a way.

IMAGE CREDITS: 
Many thanks to Police Magazine (and New York Post) for the coverage of the protest, and to 1010 WINS Radio and Twitter for the tweet from Decolonize this Place. I'd also like to thank Forensic for the photo from the London Underground, and ABC-7 News for the screencap of homeless people in subways. Additionally,  much gratitude to The Royal Gazette for the historic photo from the Brixton Riots, as well as The Canadian Broadcasting Company (CBC) and their photographer/reporter Shane Magee for the photo from the Moncton NB homeless camp.

Looking forward to Capricon 40

My "sf convention year" kicks off in February. I'm looking forward to Capricon 40 on Valentine's weekend, Feb. 13-16, 2020, in Wheeling, IL. And I'm already preparing for panel discussions and the Art Show.

My first Capricon was Cap 30, when my friend Lucy A. Synk was their Artist Guest of Honor. She invited me to attend as her guest. I had a lot of fun, but wasn't able to go back for several years after that.

Montage by Jan S. Gephardt, to represent her Blogging a Panel post from the Capricon 37 she wasn't able to attend.

Blogging a panel

I tried to go back in 2017, but a combination of countervailing events forced me to cancel so late in the process that I'd already been scheduled for panels. Unfortunately, one panel for which I'd been scheduled, Writing about Forensics, only had two panelists. The other, Jen Haeger, also had to cancel late in the process, so Writing about Forensics suddenly also got scrubbed.

Jen and I had been communicating online, and we decided that even if we couldn't go to Capricon and present the panel in person, we still could present the panel virtually. This led to Blogging a Panel on this blog (I think it was paralleled on Jen's blog and also that of Capricon's parent group, Phandemonium).

Since then, I haven't had to resort to such drastic measures.

This blog has followed my adventures at Capricon 38 and my Artwork, travel follies, and reflections upon Capricon 39.

Image courtesy of Capricon

Looking forward to Capricon 40

I plan to have my artwork in the Art Show, and of course I'll be on panels. I even have my schedule already! So I'm really looking forward to Capricon 40.

There's one set for Thursday at 5:00 p.m., called Detectives in the Wild (I moderate). We'll talk about detectives in science fiction (as opposed to urban fantasy, where they more often turn up).

Photo by Ty Gephardt, taken May 24, 2019.
Books, badge ribbons and bookmarks at the
Mad Authors' Salon co-hosted by Jan S. Gephardt,
Lynette M. Burrows, and Dora Furlong, at
ConQuesT 50 in Kansas City, MO.

On Friday my panels are Pronouns and SF/F at 2:30 p.m., and Weird Hobbies for Immortals at 4 p.m. (I moderate that one, too). I'm also scheduled to participate in the Indie Author Speed-Dating event on Friday at 5:30 p.m., which should be interesting (I have badge ribbons and bookmarks to hand out!)

Saturday starts early (for me). I'm scheduled to autograph at 10 a.m. and read from What's Bred in the Bone at 1 p.m., sharing the time slot with Dorothy Winsor. That evening at 7 p.m. I'll facilitate the Creating a Tropical World workshop.

Finally, on Sunday at 10:00 a.m. I'll participate in Religion and Ethics in an Age of Artificial Intelligence, which also ought to be an interesting discussion. I promise I'll come with coffee in hand, so I'm coherent.

Of course I'll also have paperback copies available from Weird Sisters Publishing. Certainly I'll bring copies of What's Bred in the Bone. If all goes well, I'll also have paperback copies of my sister's Deep Ellum Pawn novelette (as I write this, it's still only available via Kindle)!

With all of this, I hope that you, like me, will be looking forward to Capricon 40--either at the convention in Wheeling, or perhaps here in follow-up blog posts.

Photo by Jan S. Gephardt. This is my Art Show display at Archon in Collinsville, IL as it looked October 6, 2019.

Please note: My next XK9 story, a prequel novella titled The Other Side of Fear, will be available in March 2020. The second novel in the XK9 "Bones" Trilogy, A Bone to Pick, is set for release this fall.

IMAGE CREDITS: 
The "Blogging a Panel" header is by Jan S. Gephardt, with images courtesy of Reference,  Belleville News-Democrat,  National Institute of Standards and Technology, and Criminal Justice Degreelink. 
The half-header for Capricon 40 is courtesy of the Capricon Website. 
The photo of my book display at the May 24, 2019 "Mad Authors' Salon" at ConQuesT 50 is by Ty Gephardt, and used with his permission. 
I took the photo of my art display at Archon, October 6, 2019 myself. you may re-post or re-blog any of them with correct attribution to the creators and a link back to this post.