Showing posts with label building the future. Show all posts
Showing posts with label building the future. Show all posts

Friday, March 8, 2019

Our history goes way back--but also forward

The Artdog Image of Interest

I love the vision implied in the illustration that is today's Image of Interest. Women's History Month calls us to look at our journey: where we have been, certainly. What we have done, and how we have made progress, most definitely.

But the arc of history is long, and it has not finished its trajectory. We build on gains our mothers made. Our mothers built upon the work of our grandmothers. The line goes back, and back, and back. But it also goes forward. God willing, to our daughters, and granddaughters, and on.



We strive for ourselves but also for them. What new stones will they lay, what new bridges will they build, and what new vistas will they explore? It's up to us to make sure they have the tools, the material, and the vision to keep moving forward.

IMAGE: Many thanks to Click! The Ongoing Feminist Revolution (some really good material on that site, for those interested!), a project of Clio Visualizing History. I hope you'll take a long look and explore both! Unfortunately, I couldn't find an illustrator credit.

Monday, January 29, 2018

Creating well

The Artdog Quote of the Week 
As with most of this month's "Quote" of the Week posts, I found so many relevant quotes I couldn't stop at just one, in my quest to explore thoughts about creating a better future. This week was no exception! I hope you'll enjoy these combined thoughts.




IMAGES: Many thanks to QuotesHunter's great post of "20 Inspirational Quotes About the Future," for the first and third quote images, and to Double Quotes for the Eckhart Tolle quote image. I'm grateful for all!

Monday, January 22, 2018

Taking it seriously

The Artdog Quote of the Week
If I want to improve my future, I have to do more than wish. Powered by dreams, I have to take the needed steps to make it so.




IMAGES: Many thanks to Quotefancy for the Jim Rohn quote, and to QuotesHunter's great collection, "20 Inspiring Quotes About the Future," for the Mahatma Gandhi quote. I'm grateful to both!

Friday, January 19, 2018

Drill, baby, drill?

The Artdog Images of Interest


As I noted last week, this month's theme is working toward a better future, and my Images of Interest for the rest of the month feature amazing places in the United States that are threatened or actively under attack. As long as they continue to exist, we can still fight to save them, even if things are looking bad at the moment.


The Arctic National Wildlife Refuge (ANWR) is one such place that is under threat. Not immediately, but the Trump Administration has green-lighted the initiative to begin drilling there, so the process has definitely started. 


What kind of damage is that likely to do? That first link may have a dated lede, but the rest still applies. It's also true that tundra "heals" after disruption extremely slowly.


ANWR is so enormous, no single picture can hope to capture its variety and beauty. It's true that five won't do it either, but I've tried to find a good variety to give a small taste of what's at stake.


IMAGES: Many thanks to William Bonilla and Defenders of Wildlife for the polar bear photo taken in the ANWR; to Robert Salazar and Origami for an Interdependent World (what a cool idea!), for the photo of the famous Porcupine Caribou, a subspecies; to Peter Mather and The Wilderness Society for the lakeshore-and-clouds image from the refuge; to Florian Schulz and The Audubon Society for the aerial photo of the braided river, plains and mountains in the refuge; and to the US Fish and Wildlife Service for the photo of the mountain foothills. sloping down to a plain in the ANWR. I deeply appreciate all!

Wednesday, January 17, 2018

Dream-believing

The Artdog Bonus Quote of the Week 
What is the future made of? Many influences, but the best futures come into being because someone has a guiding vision to lead them forward. Where do we get our vision? We dream it. 





IMAGES:  Many thanks for these images to a great article from  QuotesHunter, "20 Inspiring Quotes about the Future." I really appreciate it!

Sunday, December 31, 2017

Creative healing

The sixth day of Kwanzaa
This one is especially near to my heart: the principle of Kuumba, creativity! The only way to build a vibrant community is through the creative devotion of the people within it.

Just as the arts can help revive a dying neighborhood, so can the application of creative energy build positive bridges of hope, where before there were only walls of separation. Our whole country desperately needs this kind of creative healing.

What better, more hopeful task can we set ourselves upon than that, this New Year's Eve?






IMAGES: Many thanks to Jeffrey St. Clair via LinkedIn's SlideShare, for the nicely designed symbol image and "seven principles" slide, to the Pinterest board of Students at the Center Hub for the Mae C. Jemison quote, and to SororitySugar's Tumblr (tagged Gamma-Sigma-Sigma) via Pinterest, for the Mitch Albom quote.

Tuesday, December 12, 2017

Happy Hanukka!

I've been making an effort to acknowledge the winter holidays of as many traditions as I can on this blog this year (as a practicing Christian, I can get awfully Christmas-centered if I don't watch it!)--so I am mortified that I brain-glitched on such an important holiday as Hanukka! I hope my Jewish friends and readers will forgive me. I shall try very hard to do better in the future!

Meanwhile, I wish you all the richest blessings of the season: faith, family, and a hope for the future.



May God grant you a sweet new year.

IMAGE: Many thanks to Wikipedia for the beautiful photo of the lighted Menorah, by photographer Dr. Gil Dekel.


Wednesday, April 19, 2017

The Future of Classical Music is . . . Band?

A guest post by my sister,
Gigi Sherrell Norwood

If you love classical music, you’ve probably asked yourself what a modern symphony orchestra should be: a music museum, or an incubator for a thriving art form?  

L-R: Johann Sebastian Bach, Ludwig von Beethoven, and Wolfgang Amadeus Mozart (more notes about this image below)


The music museum folks want to preserve what they believe is the highest musical expression in human history. What could be more sublime than the music of Bach, Mozart, or Beethoven? They scorn pretty much anything that was written after World War II, and secretly long for the Edwardian era of tuxedoes and evening gowns.

Just-post-Edwardian-era Ballroom in a Hyde Park hotel, 1912. 

It’s artistic elitism at its worst, and often includes a dismissive attitude toward bands. Bands were, after all, spawned by the common folk, whereas orchestras were born in the royal court. Practically every high school in America has a marching band, whereas only the top schools have orchestra programs. Bands use only woodwinds, brass, and percussion. They have no strings, and everyone knows strings are better. Just ask a string player.

"Practically every high school . . . has a marching band." case in point is the 2010 Marching Lancer Band (Shawnee Mission East High School--my kids' alma mater). See and hear them in action. 

Symphony people complain that bands only play transcriptions of the great works, re-orchestrated to suit band instrumentation. Never mind the inconvenient fact that Mussorgsky’s Pictures at an Exhibition was originally a solo piano piece, and Gershwin’s Rhapsody in Blue was written for a jazz band. The familiar orchestra versions of both are transcriptions.

But a strict diet of the Great Works in their original form can make the symphony the classical equivalent of a Beatles tribute band: fun for an evening out, but not a venue for artistic growth and experimentation.  And if an art form isn’t growing, it’s dying.

Beatles tribute band Abbey Road: a special niche--but not expanding the repertoire.

The most obvious way to keep classical music alive is to welcome new music.  But back in the 1960s, when Pierre Boulez programmed tons of avant garde music at the New York Philharmonic, audiences hated it, and fled. Caught between critics, who argued that any composer as accessible as John Williams was beneath contempt, and audiences who walked out when the orchestra played Bartók, symphonies stuck with what they knew best, and became hostile territory for young composers.  

John Mackey, an outstanding contemporary composer, outlined his struggle to break into the symphony scene in his blog post, Even Tanglewood Has a Band.

And that’s where the whole “band only plays transcriptions” argument falls apart. Because bands LOVE new music. At a recent concert by the University of Texas Wind Ensemble, nothing on the program was more than 40 years old.  Three of the five works were world premieres.  Band conductors learn reams of new music every season, with few of the comfortable old classics to fall back on.  In contrast, orchestra conductors may learn Tchaikovsky’s Symphony No. 4* when they are in college, and conduct it again and again throughout their careers. 

Here's the University of Texas Wind Ensemble in concert, led by Jerry Junkin.

Young composers have discovered they can build a career writing for band.  And, if enough bands love their music, they transcribe it for ensembles with strings, making the leap into the world of symphony orchestras as an already beloved composer.

Want to ensure classical music continues to grow?  Throw open the doors and welcome talented young composers.  That happens every day in high school band halls, college wind ensembles, and professional concert bands.  That’s why I say, if you want to hear the future of classical music, listen to a good band.

*Might note the link for Tchaikovsky's 4th Symphony takes you to an article that includes an audio file of the symphony . . . ironically, the performance is of a transcription for wind band. 


Gigi Sherrell Norwood
ABOUT GIGI: In addition to being my much-admired sister, Gigi Sherrell Norwood is the Director of Education and Concert Operations for the Dallas Winds (formerly the Dallas Wind Symphony), so, although she might be somewhat biased in favor of the importance of wind bands, she also is in a privileged position to observe the dynamic about which she writes in this post. In my experience, if Gigi takes note of something, it tends to be notable! Widow of the science fiction writer Warren C. Norwood, with whom she sometimes collaborated on projects under his byline, Gigi also is a talented writer herself. She is currently working on several urban fantasy stories set in the historic Deep Ellum neighborhood of Dallas, TX. 

IMAGES: Many thanks to Netivist for the Bach-Beethoven-Mozart composite by "G_marius" (sorry, couldn't find a link!), based on Jorge Franganillo's image and other images of public domain. I'm indebted to the Vintage Everyday website for the 1912 hotel dance photo; they have a whole page of cool old photos from that era at that link. I'm grateful to SchoolTube for the glimpse of the Marching Lancers. A tip of the hat to the Long Beach Press-Telegram, for the photo of Beatles Tribute band Abbey Road. Many thanks to the University of Texas at Austin for the photo of their Wind Ensemble. Gigi provided the photo of herself. It is used with her permission. 

PLEASE ALSO NOTE: Gigi offers these links for young composers to watch: John Mackey, Austin Wintory, Adam Schoenberg, Andrew Boss, Steven Bryant, Eric Whitacre, and Joel Puckett.

Wednesday, April 5, 2017

To automate, or not to automate? Is there value to the human element?

A Glimpse of the Future 
Last week I took a first look at some of the jobs that have been increasingly moving over to automation, and a few that might see more automation and fewer humans doing the work in the future.

In some cases this might not be a bad thing. In other cases, the robots may not do as good a job as humans might. A couple of cases-in-point leap to mind: bank tellers and retail store checkers. Which do you prefer?

Love 'em or hate 'em (I know people who feel both ways), these machines seem here to stay.
I'm older than dirt, so I remember before they had such contraptions. I remember having to plan to get money before the bank closed for the day or weekend, and how you always talked with a human being before you could complete any transaction.

I kind of liked it (confession: I still don't own an ATM card, out of security concerns. Planning ahead: it's a thing.), but then, I live in the Midwest, where bank tellers and grocery store checkers are apparently friendlier than they are in some other parts of the world. I like to get to know them, in the fond hope that if someone they didn't know came in and tried to wipe out my bank account, they'd question it. I feel quite certain my bankers at Kansas City's Country Club Bank would. Thanks, guys!!

I also remember before there was a self-checkout line at the grocery store. I even remember before they had bar codes on the groceries (what a pain that was!), and you had to watch the checker to make sure s/he didn't make an error or ring something twice that you only bought one of. Of course, now when the machine steals your ATM or credit card information, you have few ways of knowing, so is that a net gain? Depends on for whom, I guess.


There's reportedly now a trend toward automating fast-food service, unfortunately driven in part by the industry's resistance to paying its employees a living wage. I can see how an automatic timer to pull the fries out of the hot oil at the penultimate moment might be a good thing, but completely removing all or most of the people? That's a farther stretch for me.

You see, we've actually had automated fast-food delivery for a long time. They're called vending machines, and they aren't actually noted for their-high quality products or their ambiance.

Granted, Mickey D's isn't long on "ambience" either, but I kind of like to chit-chat with the smiling teens or senior citizens at the counter. Call me weird, but I prefer dealing with people, over figuring out the interface on yet another dang gadget. I've kinda perfected the human interface, at least to some extent, and I have this weird notion that people should be respected, even when they have low-end jobs.

An automated fast-food "restaurant" looks an awful lot like a glorified vending machine to me. 
As I see it, the whole key should be playing to strengths. Robots and automation do some things way better than people. Business Insider interviewed Ryan Calo, a professor at University of Washington School of Law with expertise in robotics, who said, "For a long time, artificial intelligence has been better than us at highly structured, bounded tasks." All of the applications we've looked at so far in both this and the previous post on this topic have been in that category.

Calo thinks, however, that robots are now, or soon will be, capable of moving beyond "the three D's: dangerous, dirty, and dull." It's a fine line to define (sorry for the rhyme), so where do we draw it? If robots and automation can lift us beyond those "dangerous, dirty, and dull tasks," isn't that a net gain? I think it definitely is. If they can ever design a Roomba that cleans the potty, I'm all in!

Ivan Fourie encountered this friendly store clerk in Kyoto 2006, and immortalized her in a photo. 

But people right now (and for millennia) do/have done way better at some things than robots and automation have managed so far. The determination to push automation/artificial intelligence beyond those basic limits won't stop. (we're talking about humans with an intellectual challenge. Of course they'll pursue it as far as they can).

But just as industry doesn't want to talk about the full cost of their initiatives (including environmental and human damage), so the people involved in the "second machine age" don't want to talk about ALL the costs of their initiatives.

Are these Chinese robots cute enough to be worth their cost in human devaluation? Are they worth the effort of putting "friendly store clerk" and her siblings all over the world into financial devastation?
Would their AIs put good people out of work that they need? Don't we all need people who are a positive part of their community? The friendly 7-Eleven clerk who brightens our morning? The bank teller who keeps our accounts safe? The shopkeeper who grows her small business locally? The first-generation immigrant family who runs the gas station? The custodian who keeps the school clean and well-maintained?

What's the human cost of the fancy machines? Do they make life better for the humans in the community, or only for the corporations running the businesses?

I think we're at a crossroads, in our contemporary life. We can look globally at ALL the costs of the decisions we take, or we can keep on looking only at money in a system skewed to ignore some of the most important costs of all.

Our choice.

Our future.

IMAGES: Many thanks to Before it's News for the future-vision graphic. The photo of the Safeway self-checkout is courtesy of WonderHowTo, and the photo of the ATM machine is from The Northeast Today; many thanks to both of you! The cynical minimum wage meme is from Ron Paul's "Liberty Report." Your thanks is that I acknowledged where it came from, dude. You certainly illustrated my point, anyway. Many thanks to NPR's "All Tech Considered" for the photo of the automated fast-food restaurant. I am grateful to Ivan Fourie's Flickr Photostream for the the friendly store clerk's photo. Many thanks to Business Insider for the photo of the Chinese food service robots.

Wednesday, January 6, 2016

Future Visions of Home Interiors

One of my projects in 2015 was designing a space station. Not for NASA or any other agency--I've been world-building for the sf novel I'm writing. 

And in the course of gazing into the future through the collective wisdom of the Internet and entertainment media, I've discovered some odd things about the places we apparently think we will live, in the future. 

1. They will be either blindingly white, or very dark. And either way, they'll be cold. 
It appears that in the future very few of us will live in normal lighting. If we are very wealthy or on a spaceship, our homes are likely to be all white. 
From Prometheus 2, via Flavorwire. As if it wasn't cold enough, they added a snow scene in the background!
Curves that make impractical use of space, and blinding white: from The Hitchhiker's Guide to the Galaxy, again via Flavorwire.
If we are poor and live on the wretched Earth, or on a different kind of spaceship, our homes will be dark and tiny. 
The dark side of the decor: Deckard's apartment from Blade Runner, via Bladezone.
Murky lighting, odd color schemes, and hard furniture: how relaxing can you get? From Star Trek: Insurrection, via the Memory-Alpha Wiki.
2. There will be inexplicable things on the walls. 
It appears we will not care about the dust collected by 3D wall textures. We also won't have paintings (as an artist, this bums me out) or photos of loved ones on display, because there won't be room for them.
More of Deckard's apartment from Blade Runner, via Bladezone. What is up with the funky wallpaper?
House Atreides Frigate from Dune, via Flavorwire. Is that a robot-face at far R?
3. Doors and other architectural features will be odd shapes.
In addition to the examples above, consider the practicality of the following:
From Battlestar Galactica, via Flavorwire: triangular doors? Really?
Another view from Prometheus, via Ben Procter. Octagonal doors and rooms: Sure. We all love living in places where the walls aren't square to each other.
4. All the seating will be uncomfortable.
Couches and chairs will have no arms, there will be no throw pillows or afghans, and there also will be no recliners, no chintz, and absolutely no lovingly-restored antiques.
Even the actors at R look uncomfortable (from 2001: A Space Odyssey, via Flavorwire).
Harsh lighting, a knee-bumper table and an oddly retro rolly-chair combine to make this one of the least comfortable-looking offices I can imagine. Plus, his back is to all the action (or potential snipers) outside that massive window. An Elysium concept, via Moviefone.
It also apparently won't matter how many hundreds of years we are from now: the Future Design Ghods have decreed that once these design principles have gone into effect, we will henceforth always have to live in cold, dark, cold bright-white, or oddly-shaped interiors, with illogical openings and uncomfortable furniture. 

Here's to the future! Happy New Year! 

IMAGES: Many thanks (as attributed above) to Flavorwire, as well as Bladezone, the Memory-Alpha Wiki, Ben Procter, and Moviefone. 

Monday, May 18, 2015