Not a Blog Post

The sisters (upper R), and the books they've so far published through Weird Sisters Publishing.

By Jan S. Gephardt and G. S. Norwood

Fair warning: This is not a blog post. G. and Jan are both dealing with health issues. This is beyond writing a blog post about taking a sick day (besides, Jan already did that). Neither one of us is feeling energetic enough to create a complete, well-rounded blog post this week. Since both of us have lifetimes of experience in deadline-driven careers, this is a hard thing to admit.

But sorry. This is not a blog post. We have been a lot more “on the ball” on past occasions, however. So instead of offering a new post, we thought we’d offer kind of a smorgasbord of some favorite past posts.

Artwork ©2019 and 2020 by Chaz Kemp. (Courtesy of Weird Sisters Publishing).

Not A Blog Post, but Several

First, how about spending some quality time with pets, through some of our favorite past blog posts from G? If you’re familiar with the work of G.S. Norwood, you know her dry wit and her keen observer’s eye.

She has brought those qualities to her ongoing urban fiction series, the Deep Ellum Stories. These, not incidentally, include a range of wonderful animals, including Tidbit and Morsel, Ms. Eddy’s feline siblings who are considerably more than they seem. Then there’s Ace, the reformed Hell Hound, and even Fred, the back-yard mosasaur.

Read more about them in G’s novelettes Deep Ellum Pawn and its follow-up, Deep Ellum Blues. And stay tuned for G’s upcoming story, Death in Deep Ellum (set to be finished after she gets well). Meanwhile, even while this is technically not a blog post, we hope you enjoy this trio of G’s blog post “pet-classics.”

G's cats in art and life L-R: Ms. Eddy’s cat Tidbit, as envisioned ©2019 by Chaz Kemp, and Tidbit’s real-life inspiration, G’s cat Scrap, complete with her trademark curly tail. (The Weird Blog).

 

Cats in Space?

G. S. Norwood examines the roles of dogs and cats in Weird Sisters Publishing's fiction, and makes the case that there will be cats in space. We hope you’ll enjoy her post Cats in Space?

Because – can we talk? – if we humans actually do take to the stars, we won’t want to leave our companion animals behind. Science fiction is full of cats, dogs, and other critters who’ve voyaged with us in our fictional forays into the Final Frontier. If art mirrors life, there will be canine and feline spacefarers traveling with us.

Meanwhile, we think you’ll enjoy this post.

In just one year, the scrawny, snotty-nosed little calico G. found in the shelter underwent a remarkable transformation. But she still likes to cuddle. (Photos from G. S. Norwood’s private collection).

 

The Universe Gives Me a Cat

Urban fantasy writer G. S. Norwood, open to everyday magic in reality, says sometimes "the Universe gives me a cat," when she heeds intuition. What do you do, when the Universe has decided to give you a cat? Here’s G’s story.

Dog trainer Cesar Millan is fond of saying “You don’t always get the dog you want, but you get the dog you need.” We think that definitely goes for cats, too! Did G. get the cat she (didn’t know she) needed? Decide for yourself.

Clockwise from the top: “Sheriff” Zoe, a rather “wolfy” Chess on the prowl, and Kata with all-black Tam in G’s back yard. (The Weird Blog).

The Texas Pack

The Norwood household not only includes cats. It has a full cast of canine characters, too. G.S. Norwood introduces readers to The Texas Pack, her four border collies who each have distinct personalities, and who have informed her fiction.

Do you recognize any of the personality types she profiles in her blog post? Perhaps you’ve known dogs or other companion animals with similar approaches to life. Whether they’re interacting with humans or with each other, their personalities shine through.

Prequel novella The Other Side of Fear, with Books One and Two of the XK9 “Bones” Trilogy: What’s Bred in the Bone and A Bone to Pick. Cover art ©2020 by Lucy A. Synk, and ©2019 and 2020 respectively, by Jody A. Lee. (Courtesy of Weird Sisters Publishing).

 

A Blog Post Series for Dog Lovers

Science fiction writer Jan S. Gephardt has done a different take on blog posts about pets – specifically dogs – and their unexpected capabilities. Even if this is not a blog post, if you’re in the mood for one, why not give these a try? Her series on canine cognition outlined some of the research she did for her science fictional universe. As veteran sf readers know, the “science” in science fiction means that writers ground their stories in actual, real-world scientific ideas.

Jan’s stories feature a pack of uplifted police dogs called XK9s. They help uphold the rule of law on Rana Station, their adopted space station home. Written as adventure mystery stories, they also offer glimpses of the sometimes-humorous ways in which truly sapient dogs might interact with the human world.

Hundreds of people have enjoyed her XK9 “Bones” Trilogy, a series of books which has earned some excellent niche rankings. The first two are available now from a variety of booksellers worldwide, as either ebooks or paperbacks. The third book in the Trilogy is set for release in 2023. Some may prefer to take a “test drive” with her prequel novella, The Other Side of Fear. It’s also available widely for sale as an ebook or paperback. Or get it FREE as an ebook if you sign up for Jan’s feature-packed monthly newsletter!

A Finnish study demonstrated similarities between domestic dogs’ and humans’ “social gazing” behavior. (Artdog Adventures Blog).

 

Dog Cognition: How Much Does Your Dog Understand?

How much does your dog understand? A lot, actually, and on a more sophisticated level than many people think. “The Artdog” begins a new series on the research that convinced her dogs could someday be uplifted to be sapient beings.

Dogs may even be likelier candidates for future uplift than primates or cetaceans, for several excellent reasons. And seriously! What pet-parent wouldn’t love to know what their companion is trying to communicate sometimes? If only they could tell us in words! Turns out, maybe someday they can.

Can a dog read? “Reading Dog” Fernie (here with his human, Nik Gardner) inspires elementary students at Headmaster Gardner’s UK primary school to learn to read. (Artdog Adventures Blog).

 

Dogs: Verbal Virtuosos?

Dogs as verbal virtuosos? When it comes to canine cognition, researchers are finding that dogs are real verbal virtuosos who know word meanings and can combine meaningful phrases. Alert readers of Jan’s novels might also recognize where she got the names for a couple of XK9s, after reading this blog post!

Jan wasn’t just anthropomorphizing (well, some – but not entirely!) when she gave the XK9s the ability to read and compose verbal replies. Until they get prosthetic thumbs, the ability to physically write won’t be in their, um, grasp. But they wield words (sometimes in several languages) pretty doggone well. And here’s her justification for thinking they someday really could!

MRI studies of brain patterns suggest these dogs aren’t just going through the motions. (Artdog Adventures Blog).

 

Could it be Love?

Could it be love? We've long worried that we're anthropomorphizing when we say our dogs love us. But more and more studies reveal the answer to "could it be love?" is YES!

Unfortunately, the video at the end of the blog post Could it be Love seems to no longer be available, but we hope you have seen similar behaviors in dogs (sorry – Jan had no energy to spare looking up a new video, but if you have time to go down a YouTube rabbit hole, we bet you can have fun finding more!).

Do the XK9s love their human partners? Absolutely! Pack is Family for XK9s, and their humans – including a few “extended Pack members” – are included in that circle.

Not a Blog Post, but we Hope You’ve enjoyed it

We hope you have fun reading through this “not a blog post” full of blog posts. We’re hoping and planning for one of us to be back in the saddle with new content for next week.

IMAGE CREDITS

We’ve pulled our images this week from the Weird Sisters Website and from the blog posts featured in this “not a blog post” article. Follow the links to the blog posts for full information on our image sources.

Visualizing a Character

 By Jan S. Gephardt

For a novelist, visualizing a character – bringing them into focus, learning who they are, and what makes them tick – is absolutely essential. Readers don’t read our books because they fell in love with the plot twists. They don’t seek out a book because they love murder, or war, or the scientific concept that makes a book “science fiction.”

They read our books because they fall in love with our characters.

At least, we writers desperately hope they’ll fall in love with our characters. Or anyway that they’ll be fascinated by them. Because if they don’t care what happens to our characters, all of our clever plot twists have no meaning. The murder or the war is just butchery or mayhem. That ingenious science fictional concept we invented might only make them say, “Oh. Well, that’s kinda interesting. But what’s happening on Tik Tok?”

No, the charactersare key. They’re the point of the story, as far as most readers are concerned. Their trials, their passions. The dangers they face, the risks they brave. And, most importantly for the core archetypal function of literature, the solutions they devise for their terrible problems.

About a year ago, G.S. Norwood wrote about one of McCullough’s books. (See credits below).

Characters are Everything

When I was first learning to write, people sometimes asked, “is this a plot-driven story, or a character-driven story?” I have come to the conclusion that it’s a literature-analysis question making a point that is irrelevant to the way most readers of fiction engage with the stories they read. For me, every story is “character-driven.” It has to be, or it fails in fundamental ways.

That’s why it’s really important for a writer to know their characters. But it’s all very well and good to say that. How does one go about doing that? Especially when the person one is trying to get to know is an imaginary person in our own head? Because I am here to tell you, they don’t spring fully-formed from my forehead, Zeus-and-Athena-style.

No. Not even a little. Visualizing a character in all their dimensions takes effort and time.

Some writers “interview” their characters. They ask questions such as the character’s favorite color, their favorite food, music, and so on. I’ve tried that. It can be interesting, and occasionally enlightening. Some writers create elaborate backstories or dossiers on their major and semi-major characters. I’ve done some of that, too. And I always try to keep track of how tall, how heavy, eye color, age, and important skills, relationships, and so on – written down in a place I can remember! You might not believe how many times I’ve caught myself and said, “Wait! How much does Rex weigh, again?” (130 kilos, when in good shape). Visualizing a character only works for my readers if I’m consistent.

Possibly the most influential author in my own childhood, Alexander’s words continue to be true for me, whether I’m the reader or the writer. (See credits below).

How Best to Learn a Character?

I can only tell you what works for me. Sometimes I’ll get to a place in a story where I need someone to do something. Then a new person who is exactly when and where I need them sometimes steps forward. They do what the story needs, but add their own little personal touch to the way it’s done. That’s when visualizing a character is fun and easy. Occasionally I may decide that person needs a promotion to a bigger part in the story! (This is my “pantser” side emerging).

More often I’ll know, going into the story, that certain characters belong onstage. I’ll already know some basic aspects of those characters, but not enough. That’s when I need help visualizing a character. I like to use techniques such as the Character Flaw Pyramid or the Reverse Backstory Tool (see below). If this is getting too technical for you, feel free to skip over this part.

But for the writers and reviewers in my audience, I’ve found these very helpful for developing the Protagonist and Antagonist characters. I’ve also used them for supporting characters who have their own, smaller story arcs within the book.

From Jan’s “Writing Techniques” notes; source unclear. (See image credits below).

 

From Jan’s “Writing Techniques” notes; source unclear. (See image credits below).

I got these . . . somewhere, at some point in the last five years. Probably/possibly they came from one or more of my friends (I hang out with a lot of writers. Possible sources include Dora Furlong and Lynette M. Burrows, but I really don't remember. You might enjoy their books, though!). And I have no idea who, among all the many tutors, online courses, blogs, or writing gurus, originated them. I just know these tools work for me. But there’s also another important method in my toolbox.

Visualizing a Character . . . Literally

When I say I’m visualizing a character, I also mean that literally. I’m an artist, so I think visually and spatially. I make maps. Create floorplans. Collect visual reference photos, and make my own drawings. But I’ve never had the “illustrator” gift. Non-artists may find that confusing, but in my experience not every artist is cut out to be an illustrator. It’s a specific subcategory of skills that I’ve always wished I had! But the ability to create really awesome illustrations is just not a gifting I’ve received or been able to develop (Lord knows, I’ve tried!).

All the same, I am both lucky and blessed. I have many friends who are outstanding illustrators, richly endowed with that gift I wish I had. And, here in the later decades of my life, I also have been blessed with the ability to hire them to do what I can’t.

This means my longtime friend Jody A. Lee has made gorgeous covers for the first two novels in the XK9 Trilogy. If you’ve been following this blog since last summer, you may remember reading The Story Behind A Bone to Pick’s Cover. It also means I could commission some early character-and-tech-development images from artist and game designer Jeff Porter. And I could ask the illustrator Jose-Luis Segura to help me visualize two characters, Mac and Yo-yo, whom I intend to feature in a future story.

Jeff Porter’s 2016 visualization of Pamela Gómez is still the best one Jan has. Jeff’s design concepts for collar-mounted vocalizers and EStees influenced how later artists portrayed them. Jose-Luis Segura invented some creative ideas in his 2021 rendition of Mac and Yo-yo in Their Workshop. (images are ©2016 by Jeff Porter and © 2021 by Jose-Luis Segura. See credits below).

 

And it means I could embark on a long and ongoing creative collaboration with my good friend Lucy A. Synk.

Visualizing a Character with Lucy A. Synk

I chronicled my collaboration with Lucy to create the cover of my novella The Other Side of Fear on this blog almost exactly two years ago, in March 2020. Lucy was literally Rex’s first fan. She’s a well-regarded professional artist with years in the fantasy and science fiction world, a background in natural history museum murals, and a burgeoning fine art career. She’s about to unveil a brand-new website, so here’s hoping this link redirects properly. If you’re on Facebook, you also can see (and “Like,” if you’re kindly inclined) her Lucy Synk Fantasy Art page.

Last winter, she helped me visualize The Orangeboro Pack. She painted all ten XK9s from my books, both as head-and-shoulders portraits and in full-body action poses. I’ve used those a lot, especially in my monthly newsletter.

Top row L-R: Razor, Elle, Crystal, Petunia, and Cinnamon. Bottom Row L-R: Scout, Victor, Tuxedo, Shady, and Rex. (All paintings are ©2020-21 by Lucy A. Synk).

This winter, her project has been to start visualizing the humans in my stories. Since she’s already posted the first two paintings from the new series on her Facebook page, I’ll show them here, too.

Here are the finished paintings, L-R: Hildie at Work and Hildie on a Balcony in a Saree. (Artwork © 2022 by Lucy A. Synk).

Next week, I’ll talk about our ongoing collaborative efforts, and the developmental stages we went through when we were visualizing a character named Hildie Gallagher for these two paintings.

IMAGE CREDITS

Many thanks to Quotefancy, for the David McCullough quote. You may remember that G. S. Norwood blogged about one of McCullough’s books in this space about a year ago. And thank you very much, AZ Quotes, for the wisdom from Lloyd Alexander.

As noted in the post, Jan has no clear idea of exactly where the “Character Flaw Pyramid” or the “Reverse-Backstory Tool” came from. But the photo of the hands holding question-marks up in the air is definitely by "rawpixel," via 123rf. And the pattern of books background certainly came from Madison Butler on LinkedIn and her “Unicorn Nuggets” newsletter. Many thanks to both!

The digital painting of Pamela Gómez and the sketches of an EStee, along with the designs for collar-mounted vocalizers, are all © 2016 by Jeff Porter. The digital painting Mac and Yo-yo in Their Workshop is © 2021 by Jose-Luis Segura. The ten XK9 portraits are © 2020-2021 by Lucy A. Synk. The two new oil paintings of Hildie Gallagher are © 2022 by Lucy A. Synk. Jan enjoyed every minute of those collaborations, and looks forward to doing it again! All montages in this post were designed and assembled by Jan S. Gephardt.