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This crumbling warehouse in Utica, NY is the kind of place where beginning artists might find cheap studio space. |
The classic sequence goes like this: a low-rent district of dilapidated properties attracts artists, who go there at an early stage in their careers, in search of affordable studio space.
Good places to look are warehouse districts that have fallen into disrepair, or down-at-the-heels business districts, where rents are low and nobody is too picky about a mess (art-making is generally not a drip-free, dust-free enterprise!).
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This "Heidelberg Project" house offers an eye-popping example of "visually interesting things in shared spaces." |
Once they’ve established their studios, they collaborate, do visually interesting things with their shared spaces, and start putting on shows. People are attracted to this visually stimulating, offbeat creativity. They start coming frequently to see the art.
Other businesses notice that people are beginning to come to this area repeatedly, in ever-greater numbers. They develop a presence of their own, in this place “where it’s happening.” Business all over the area picks up.
Soon developers are offering “loft space” for urban-chic living, and the area becomes trendy. Gentrification is quick to follow, at which point the rents go too high for some of the artists, while others’ galleries are becoming more upscale, in tune with the neighborhood.
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The ambiance of a successful arts district includes eateries such as Benton Harbor, MI's Phoenix Cafe. |
Now the original area is booming, still enjoying the “artsy afterglow” for several decades. Savvy businesses perpetuate the character of the neighborhood with sidewalk cafes, boutiques, and other interesting attractions, such as pocket parks, smaller, specialty museums, etc.
Meanwhile many artists have moved, looking for a low-rent district of dilapidated properties, where they can find affordable studio space . . . and the cycle begins again.