Showing posts with label Leonardo Da Vinci. Show all posts
Showing posts with label Leonardo Da Vinci. Show all posts

Wednesday, January 23, 2019

Why unplanned sketching is important

Unplanned sketching. It's a thing.

It's an important thing.

Leonardo da Vinci used sketches to think things
through.Yes, he was very good, and his sketches
look "professional."But he wasn't afraid to make
"wrong lines."
The top horse has three back legs,
and the rider's leg is transparent.
It can be a fundamental part of thinking through a problem, or a fun avenue of exploration just for the sake of exploring.

But not everyone sees it that way, it seems. Last week, for my post of divergent thinking, I wrote of brainstorming, "The process has kinship to quick, unplanned sketches for artists," and compared it to improv for actors or "pantsing" for writers. As usual, I looked for a link to illustrate or expand on my point.

But when I looked, I found tutorials on how to make "beautiful doodle art" or lists of "ideas of things to sketch." Almost nothing I found admitted that not all doodles are pretty, and not all sketches turn out well.

Like I couldn't think up my own things to sketch? Like doodles now have to be beautiful? Like there are performance standards?

This makes me crazy.

Sure, it's nice to be able to come up with a good one, and it's lovely if your sketches turn out well-proportioned and exquisite. But not all doodles are pretty. Not all sketches turn out well. The very idea of a "sketch" means a rough, freehand, sometimes unfinished drawing. Usually it's done to explore or capture an idea, or for practice. It's not meant to be finished art. If your sketches must be planned and your doodles must be beautiful, you're doing it wrong!
If all your doodles must be beautiful, you're missing
the point!

And yes, I'm aware there's irony in that, because of the whole "there is no 'wrong way' when you're brainstorming" precept. But pre-planned sketches are not brainstorming. If your doodles must be beautiful, that also means there can't be any awkward lines, or any bits that didn't work out right. It smacks of having to be perfect, of fearing to make a mistake (or an ugly line).

Well, my friend, ugly lines are how we get to beautiful ones on our own.

Mistakes are how we learn new things.

And it's only possible to grow and explore and expand if you're not already perfect. So go ahead. I dare you. Scribble over the line. You never know what you'll discover when you do.

IMAGES: Many thanks to Wikipedia, for the "three draft images of an equestrian monument" from the sketchbooks of Leonardo da Vinci, and to "40 Beautiful Doodle Art Ideas," for the page of beautiful doodles.

Thursday, December 19, 2013

A New Sound from an Old Sketchbook

Leonardo Da Vinci strikes again! Well, with a lot of help from his friends and admirers.

Especially with the help of one particular Polish admirer and astonishing polymath named Slawomir Zubrzycki.  He took a look at this drawing and made a whole lot more sense of it than I can:
Meet Da Vinci's invention, the "viola organista," as drawn in his sketchbook.
Here is a video from the AFP News Agency that gives you both a glimpse of the instrument in action, and a taste of its sound:

Give yourself a moment to sit back, maximize your screen for a good view, and listen to this amazing new sound, extrapolated from the pages of one of Leonardo's sketchbooks.

Here's another video, showing Zubrzycki at the keyboard, performing about ten and a half minutes worth of music for a concert audience in Krakow, Poland.  This video was recorded Oct. 18, 2013 at the International Royal Cracow Piano Festival:


I wanted a closer look at this instrument, and I thought you might, too:
Mr. Zubrzycki and his amazing construction: no muted hues for Mr. Z!
Here's one view "under the hood" of the Viola Organista.
And a bit more detailed close-up.  I still don't know how it works.
I'd like to thank the NPR blog, Deceptive Cadence from NPR Classical, for turning me on to this instrument's existence.  There also is an interesting article on the background of this instrument on the Musical Assumptions blog by Elaine Fine.

IMAGE CREDITS: Many thanks to Wikipedia, for Da Vinci's sketchbook image of the viola organista, shown at the top of this post. Many thanks also to the AFP News Agency and YouTube for the first video, and to Slawomir Zubrzycki and YouTube for the second, longer video. The three photos of Zubrzycki at the keyboard and the "under the hood" views are from Tygodnik Powszechny and Tomaz Wiech/AFP, via Laughing Squid (You may enjoy the accompanying articles, too!).